3 Points Toward a More Receptive and Conciliatory Left, Part II

1) Is objectivity really impossible, and what are some pitfalls in valuing subjectivity?
2) Have we placed an undue emphasis on cultural and linguistic factors when considering inequality?
3) When should we commit to ideological positions, and when should we compromise?

Trump is now president, and the Republicans have gained majority in both the Senate and the House of Representatives. In the post-election analysis, blame has been laid on 3rd party candidates, the media for covering Trump and giving him free publicity, Clinton’s past indiscretions, unreliable projections, and the electoral college system. One possible factor that the Democrats have identified is that they hadn’t reached out enough to white working-class voters.

I can’t speak to campaign strategies and their miscalculations; however, as a graduate student in a leftist interdisciplinary department, I have been frustrated for years at my fellow scholars’ ideological purity. I believe that a deterioration of civil society is scary, but I also fear that Trump being elected has vindicated a belief on the left that the right is so far gone that we have nothing to work with, while believing ourselves morally and intellectually superior. The use of “social justice warriors” and “feminazi” in dismissive and derogatory ways certainly speaks to resistance on the part of conservatives, however the sheer frequency of these labels makes me believe that the fault does not lie entirely with them.  Finally, the fact that many college-educated men backed Trump, and that even great numbers of White women voted for him, says that there is something we’re missing in the work we do in humanities and liberal arts research and higher education, even as we are trying to educate the electorate.

This is a part of a series of 3 posts that will try to answer the 3 questions above. Each of the 3 questions tries to interrogate a concept that, as I see it, has become common sense to thinkers on the left to the extent that we cannot apply it with nuance or communicate its value to non-believers. Each post will explain and give examples of one concept and its goals, then a response discussing its shortcomings and misapplication.

Progressive Concept #2: Power is the ultimate axis along which people differ, however, it is an abstraction that can only reproduce itself through discourse.

Discourse is how we constitute and communicate knowledge, and then act upon that knowledge. In other words, following from Part I’s concept that absolute objectivity does not exist, knowledge is never neutral, and it usually created by those in power to serve their own power. For example, during the election, detractors of Hillary Clinton have either described her as shrill, which confirmed that her gender identity made her a weak candidate, or they described her as hawkish, which meant that she was denying her gender identity, which made her a badly-adjusted candidate. Thus, this kind of criticisms she faced were based on a discourse about appropriate gender behaviour, and not necessarily her merit, and was leveled against her by people who saw her as a challenge to their preferred status quo.

Discourses generate prototypes and stereotypes that guide further action. Research and theories about discourses (most recently stemming from the work of French philosopher Michel Foucault) have instigated something called “the cultural turn,” where scholars, and the broader public, have come to believe that culture is the realm where people have been indoctrinated with biases, and these biases in turn perpetuate inequality (or the opposite, that culture can give society news ways of thinking that can fix inequality). The most significant carrier of meaning in our culture is language, and so closely aligned with the cultural turn was “the linguistic turn,” which called attention to how language has the power to perpetuate or dissuade action. The idea behind the linguistic turn is that language does not transparently represent reality like we think it does, because language is more or less arbitrary symbols that we create to refer to what we decide is important out in the world. The story that Arctic peoples have a hundred words for “snow” may or may not be accurate, but they definitely have more words than English; it matters to their livelihood that they distinguish different kinds of snow through language and we don’t, even though in “reality” we get as much different kinds of snow as they do. Having more words for snow also means that Arctic peoples will more likely notice the differences between subtypes of snow, whereas we won’t. Thus, what snow “really” is depends on whose speaking and their language. This position can be summed up with the phrase “words have power.”

On the academic front, the discipline of Cultural Studies is where scholars can research and teach about how culture and language has developed to privilege certain kinds of common sense over others. Combined, the linguistic turn and the cultural turn help us by point out the constructedness of concepts, ideological motivations of people who have lead us to believe in those concepts, and how to imagine better alternatives. Criticism of Trump, for example, has called out his rhetoric as being misogynist and racist as part of this academic/cultural trend.

Response #2: Despite attention to power, in the US class is subordinated as a dimension with which to critique inequality. I believe that 3 broad tendencies have contributed to this:

a) the suppression of Marxian critique despite being in a society of advanced capitalism

b) the obviousness of race and gender as markers of difference in the US

c) theories of discourse and language have been reduced to political correctness

I would not say that Marx is entirely correct, however the essence of the definition of class is socioeconomic status, whereas neither race nor gender are defined essentially by socioeconomic status. In other words, in an alternate time / place, poor people will still be poor, but poverty may not be aligned with markers of biological difference. Obviously, whether one has power or not does not depend entirely on one’s socioeconomic status. For example, historically a woman who has high socioeconomic status based on her relationship to privileged male family members would still be unable to vote on legislations or shape public discourse if women were categorically denied the vote, especially on issues pertaining to gender. However, the current US is a country of advanced capitalism (especially in the post-New Deal era) defined by individual labour and commodification, and thus the extent of one’s abilities to sell one’s labour and buy life necessities in a large part determines how one lives life.

In the US, critiques based on this has come largely in the form of advocacy for more public spending on the part of the government, however prominent civic groups have not coalesced around class but ethnicity and gender, such as the NAACP and Planned Parenthood. Academic departments reflect this; we have departments such as Ethnic Studies and Gender Studies where class is taken into account, but not Class Studies or Marxian Studies. The organization that is meant to address class is labour unions. However the US has transitioned out of an economy based on large-scaled industry into an economy based on the service industry (which actually need people on the ground and thus cannot be outsourced) and professional labour.  Thus, this means that there are less and less work places where there are enough employees for collective bargaining. With small businesses, workers can legally unionize but are much less likely to due to the low number of employees. With subcontracting, workers don’t count as employees. Apparently some agricultural and service industry workers cannot unionize either (Though I am not a labour historian or economist by training, what info I got from here). The bias in public discourse around gender and race that leaves out class may discourage working-class and poor people to organize.

In very broad strokes, I think the lack of a developed class-based critique is due to a chain of eras: the US not being a feudal system with a large wealth gap among its “free citizens,” the Roaring 20s and “fighting the good fight” in WWII creating a good economy and national cohesion, and subsequently the Cold War and anti-Communism. In addition, the Civil Rights movement was focused on rights on the civic level for people who had been denied them based on factors other than class, which was primarily race. It was not a revolution that fundamentally dealt with inequality generated by capitalism, much less global capitalism (though from starting to read scholarship on the Black Panther Party, it seems like they tried).

An example of how Civil Rights-era critiques can miss the mark in current times was when Black students at Scripps College posted an ad asking for a roommate who is a person of colour. I take no issue with the students wanting safe spaces with race as a factor, or even that the students specified this directly on a public posting (more in Part III), but I take issue with the fact that they only specified race as the determining factor for feeling safe. American colleges attract an increasing number of students from Asia, who are broadly defined “people of colour” (and know themselves to be such), however with absolutely no correlation between their race and their political commitments. I live in a Black neighbourhood in LA where I am the only person of Asian descent, though I had temporary Chinese neighbours who moved away because they felt unsafe. One international student from China even called our neighbours “gorillas.” The Black-White paradigm has indeed been salient for the US, however continued migration from Asia in the past forty years has been a part of new global capitalism, leaving Civil Rights-era ideas of where social change comes from narrow and inadequate .*

In addition, I believe that the linguistic and cultural turn, combined with the weight we have collectively given to race and gender, has become a cut-and-dried tool to call out inequality that does not require us to actually look at material factors. Thus, it is easy for liberals to denounce Trump and Trump supporters on their rhetoric, while not explaining in detail why his economic plan is unsound, or explaining what economic factors might have driven his supporters to adopt racist and misogynist language.  Even advocacy for cultural issues that have a significant monetary dimension usually gets couched in a cultural justification first, and material effects second, if at all. An example is the LA Times article where the creator of #OscarsSoWhite was interviewed about diversity in Hollywood. Among her answers, there were multiple mentions of needing to highlight the achievement of people of colour, or that their stories need to be heard; twice she mentions profit motives in the industry as the reason for discrimination; however, nowhere does she talk about how more diverse filmmakers and actors would mean more people of colour getting professional jobs in a massive industry.

This is also a factor in the backlash against political correctness. While I don’t disagree with the spirit of political correctness, it is a mass application of the linguistic turn in a very reductive way. This is especially the case when people understand political correctness as being the change of a few isolated words, such as not calling Natives “Indians,” or asking people to stop saying “hey guys” when talking to women. Most people who follow political correctness do not have much of an awareness how the language they wish to use would address actual material inequality, or fail to explain it in a way that convinces people who do not agree. Some professors I have worked with ask that undergrads to stop using the term “illegal immigrant” and instead use “undocumented immigrant,” which is a way of getting students to stop treating law as though it was naturally-occuring. While this justification makes sense, a teaching strategy that does not make sense to me is taking off marks for writing “illegal immigrant,” which professors have done or have threatened to do. To me, this is in part an undeserved attention to one linguistic term at the expense of other means of demonstrating critical thinking, and in part the uncompromising attitude demonstrated by radicals, which I will discuss in Part III.

Finally, notice that most of not all of the politically incorrect words that we have sought to change are about race, gender, sexuality, and (dis)ability, and almost none are about class; in daily discourse, there is no such thing as an obvious, single-word expression or even a phrase that signals a class-based offense (though “redneck” comes close). This means that disenfranchisement based on class is harder to detect, and unfortunately liberals often avoid doing that work and stick to pointing out linguistic or cultural offenses instead.

In an academic setting, unfortunately the superficial application of the cultural turn is also exacerbated by these scholars negatively judging other social science disciplines. For people in Cultural Studies or Literature, Political Science and Economics have been seen as less suited to social change or even suspect – less successful because their priorities are not conceptual, and suspect because they rely on a structure that, like language, has implicit rules which have biases towards those in power. For example, Political Science to a certain degree assumes that we need a government of some kind, which leftist anarchists (and libertarians) would reject; Economics positively appraises allocating work to decrease opportunity costs and increase specialization to boost overall productivity, rather than question who gains from productivity. In addition, I have seen fellow scholars argue that disciplines that rely on big data cannot address inequality because the complexities of personhood and subjectivity becomes lost in the data. While all of these criticisms might be true, saying that data-driven disciplines are entirely complicit with power would be writing off knowledge that can look at broad material differences in society.

* A further note about the relationship between race and class:

I don’t mean class in terms of any specific ideology or its application such as Marxism or Maoism, and I don’t mean race in terms of the 5 categories offered on the US census. By “race” I mean any constructed definition of a group of humans with unique characteristics linked to their biology. By “class” I mean someone’s economic position relative to their society’s economic range, that comprises their income, inherited wealth, properties and other assets, and how much these things are worth.

I don’t believe that someone’s class is more important than their race when it comes to personal experience, especially not in the US (a historically-grounded and clear essay from Cornel West is helpful to elucidate this). In West’s essay, he points out that one failing of Marxism is that it is too focused on modern industrialized capitalism and the class divisions it generates, and cannot explain pre-modern kinds of racism. This is true. However, class in a Marxian sense is different from economics in a general sense. While I do not believe that the resulting class divisions coming out of industrial capitalism is more important than race for a given individual, I also do not believe that large-scaled demonization of another group based on biology can occur without an economic (or some other resource-based) motivation. The enslavement of Africans did occur before modern capitalism, but they provided cheap labour so that plantation owners could turn a higher profit; thus, while it is not necessarily class in the Marxian sense, there is still a clearly definable economic motive (see Cedric Robinson’s book Black Marxism).

I do not dispute West’s and other cultural studies scholars’ point that relations of power are ideological as well as material (Stuart Hall gives a great integration of this). I also do think that because racially-based ideological justifications for economic domination have happened for so long that they have taken on a life of their own. Thus, even when there are no longer discernible competition over resources, racism still continues. While I don’t dispute radical ethnic studies scholars about how we got here, to me, solving the problems we have comes down to 2 things – 1) whether you think it is easier to change people’s minds or change socio-economic organization, and 2) whether we are focusing on undoing the wrongs of the past, or preventing new wrongs from taking shape in our present.

For me, I believe that it is difficult to change people’s tendencies to band into a group and to demonize other groups based on simplistic reasoning, though we can try to improve on this point. It is more effective if we change structural and economic factors so no group can hold enough power in a way that their demonization of others carry weight, and the potential for economic gain would not be so great that dehumanizing someone else might be worth it. As for the second point, ethnic and gender studies scholars and activists have a very difficult job in working against the discourses that have collected through time. What may have started as economic motives have turned into self-justifying discursive biases, such that in the US, race has determined whether one can participate in civil society or live in certain neighbourhoods. However, this does not mean that all forms of inequality are driven by the same discourses as before. Following from the above post, economic motives now have more subtle means of fulfilling themselves than a recourse to racism. With global capitalism, nationality and class become determining factors on a world scale, even if race is still a determining factor in the US. Even as we attend to how wrongs in the past have happened, it is important to recognize when and where they might have changed.

My discussion about how defining inequality by race is inadequate is also relevant for the debate about whether Black people can be racist or reverse-racist. An explanation of the assertion that Blacks cannot be racist would be helpful: this position says that because Blacks have been on the bottom of the racial hierarchy designed to disenfranchise them, what seems to be reverse-racism is just to mitigate previous racism. This position relies on a metaphor of a numeric scale, where equality means all groups sit at 0, and racism is any racial group trying to rise above 0 by pushing those below 0. This has happened, as Whites have risen in wealth and status over history due to the exploitation of Blacks. Contemporary Blacks, who I think are predominantly still metaphorically below zero, can use means such as affirmative action to get to 0, and insodoing can pull some Whites down to 0. However, until Blacks rise above 0 and push Whites below that, reverse-racism has not occured. This position also takes an overall structural view of racism not as individual acts of discrimination, but an overall social effect of one race rising above another race. Thus, it is not addressing whether individual Blacks can be discriminatory.

I largely agree with this view of racism and fully endorse affirmative action and other efforts at equalizing opportunity. However, while I don’t think Blacks can be racist, I also think that Blacks can be nativist, homophobic, and religiously bigoted. As someone who is not American myself but in American Studies and Ethnic Studies, what I found surprising was how American Black Americans are, especially those who have been in the US for generations and have not lived anywhere else (so not immigrants from the Caribbean, like in Canada). Two of my neighbours, for instance, are older Black Christians who are very nice to me but told me that they believe Mexicans are engaged in a silent but hostile takeover. I think race is a factor that needs to be addressed, however it should not eclipse the real ways that Black Americans can speak from the position of Americans, Christians, and cis-gender and straight people. However, I also think that this is a conversation to be had internal to Black communities rather than have outsiders who don’t understand their positions swooping in to accuse them of wrongdoing.


The Personal and Political, Chains of Oppression, and Afterlives of Empire (Or, how Commodore Perry can still destroy relationships today)

“If there must be trouble, let it be in my day, that my child may have peace.”
– Thomas Paine, from The American Crisis (1776)

“I am not a prisoner of history. I should not seek there for the meaning of my destiny.”
– Frantz Fanon, from Black Skins, White Masks (1952, 1967)




Part I: British colonialism, Irish immigration policies; global development and migration, US sovereignty, Chinese Communism (Parents)

Part II: American immigration policies, White supremacy, Asian machismo; Chinese imperial tribute system, American opening of Japan, Japanese colonialism, Korean nationalism (Lovers)

Concluding remarks: Survival, forgiveness, and poetic justice

This post will be less like the last one on Doctor Who (Part II of that will be written some day, I promise), more like the one before that on interracial dating, where I am discussing social issues through the lens of personal experience. Again, feel free to skip the drama and tortured ranting. If you are prepared to wade through this, I suggest reading it over a few sittings with frequent bathroom breaks.

The main issue is “Afterlives of empire.” (phrase stolen from an academic conference last year.) Imperialism being one powerful state imposing themselves on a weaker one or incorporating it, primarily for the former’s benefit (often economic), though helping the weaker state might be part of the justification. The “afterlives” is that imperialism creates disruptions on a massive scale, but not only at the moment of what we would think of as an imperial intervention but for a long time afterwards. For example, the continuing conflict between Israel and Palestine can be seen as an afterlife of Great Britain imperialist designs stoking competing claims to overlapping territories (British influences in the region is one among a huge number of influences and I probably got it wrong – let me know).

The second issue is “chains of oppression,” which is that victims tend to become oppressors, passing down suffering in one form or another. I first encountered this in Asian American studies – Maxine Hong Kingston’s book The Woman Warrior was criticized by some Chinese American male authors for showing Chinese men as misogynist, which they feared would confirm mainstream stereotypes against Asians as culturally backward. The chain of oppression here being that mainstream American culture denigrates Asians as a whole; in response to this kind of denigration, Chinese American men want to keep the concerns of Chinese American women silent so as to project a better image, and thus become oppressors in their own regard.

The third issue, which also undergirds this whole thought process, is “the personal is political,” and the flipside of this, which is that the public and private are intermeshed. I am still slightly unclear about the distinction between the two pairs. As far as I’ve worked it out, the public being private seems to be a descriptive criticism against the idea that men are public actors and women are private, domestic actors and that the public matters more. For example, housewives doing housework and raising children seem to be private activities that never affected world politics, but men being able to fulfill public obligations relies on having domestic obligations taken care of by women. Or, domestic violence against women isn’t just a problem within the household, but reflects wider social inequalities. On the other hand, the personal being political is an articulation against this from the private to the public, where seemingly small, personal acts can be political statements, or if enough people do it together at any given time, constitutes political mobilization. I am thinking of protestors against the killing of Trayvon Martin dressed in hoodies and carrying Skittles, which are acts of personal comportment but has political significance in-context (here are a couple of good blog post explaining these dynamics: http://mindthegapuk.wordpress.com/2008/01/27/the-personal-is-political/; http://www.gavison.com/a2657-feminism-and-the-public-private-distinction).

Additional key terms are in bold.

I will be looking at how imperialisms have created chains of oppression that still have personal effects, and discuss whether and how living differently might be an intervention against said effects. Of course, if we are talking about car bombs in the West Bank, it’s easy to see how history and global conflicts can affect one’s daily life. But these effects are not all just life-and-death situations; they can be more mundane, but still painful. In addition, these effects reach beyond the embattled territory, ethnic group, or social class that we usually think of as being negatively affected by historical events. As a middle-class Chinese-Canadian graduate student living in the US, I have never really thought of my life as being negatively impacted by past imperialisms, so if I am, chances are a lot of other people are unknowingly impacted as well.

Importantly, my explanations of the impact have either been in very nebulous terms, like it was just bad luck, or in very specific terms, like that the people around me failed to make the right decisions. However, recently I have found that a socio-historical explanation to be a better middle ground, and helps me to forgive. In addition, as I will get to at the end, recognizing that we are impacted by imperialism means that we must also recognize that we might be passing down the effects of imperialism in some way. So, while the analysis here extends from very personal events, it might help someone out there better re-evaluate their own life by taking into account social and historical forces.

I. British colonialism, Irish immigration policies; global development and migration, US sovereignty, Chinese Communism (Parents)

The major reason that I am a socially awkward and inward-orienting person, I think, is that I didn’t have a stable childhood. I didn’t stay in one school for more than 2 years until high school, and I didn’t live in a household with the same family member composition for more than 2.5 years at a time, until started living alone in university. Often these relocations were between great distances and to vastly different cultures.

Skip the biographical details

My life so far: I was born in Beijing and was shunted back and forth between maternal and paternal grandparents, who lived in different cities, until I was 7, with infancy, kindergarten, preschool and the first year of elementary school alternating between Beijing and Harbin. My parents went to Galway, Ireland to do their PhD degrees when I was an infant, and I joined then when I was 7 (this was awful, see next paragraph). At 8 my mother went to Ottawa, Canada, and I joined her at 9, first going to an inner-city elementary school and then, when my father joined us, to a school in the suburbs. When I was living in Ottawa with my father, my mother went back to Ireland and also went to Belgium (where I stayed for a summer), and then had to go to Quebec. My father thought she was having an affair with someone (she wasn’t) and so dealt with this and her constant absence by having an affair for real. Word got back to my mother and they divorced. I went with my mother to Vancouver, where we moved twice more (though thankfully not changing schools – I absolutely refused, and when my mother wanted to move to Calgary I also absolutely refused), the final move being moving in with her boyfriend. Then I went off to undergrad in Toronto, MA in Hamilton, taught English in China for 2 years (in Nanning and Chongqing), then came to LA for my PhD, where I am now. Since undergrad, my mother lived in PEI in Atlantic Canada for several years (I spent undergrad summers there) and then went back to China, whereas my father went to China and then came back to North America, first in Seattle and the Bay area, then Vancouver. He tried to get a job a few years ago in the US but for reasons I will elaborate on later, got a lifetime deportation.

Living in Ireland was terrible; at that time the country was ignorant of the outside world, and I know that my parents were labeled as Asian refugees and exploited at their part-time jobs; my mother worked as an acupuncturist but was paid less than minimum wage. We shared a house with three other elderly single people, one of whom at first refused to let my mother use the kitchen because he believed that she carried something that would contaminate his food. When reasoning didn’t work, she rectified this situation by exploding and literally turning the table one day during dinner. At school the other children’s only understanding of Asia was martial arts, so I regularly got beaten up. Because I was starting to learn English I couldn’t even verbally defend myself, I fought back, and teachers accused me of bullying the other children, and I couldn’t defend myself with the teachers either. I loved the inner-city school in Ottawa that I went to after Ireland because it was all immigrants and working class kids and I was never bullied, but the school in the suburbs was pretty bad again.

Home life wasn’t satisfactory either; my parents showed me a great deal of affection and taught me many things, but they never took care of me before and didn’t quite know how to be parents. While I wouldn’t say I was abused, I was punished severely and in weird ways (one way, which I am certain is Communist-derived, was to make me write an essay on how I’d been bad, sign a contract saying that unless I rectified my behaviour I would be turned out to beg on the streets, and then I was kicked out of the house without my key to drive the point home). Also because I often lived with just one parent who was still technically in school, I had to shoulder a lot of domestic responsibilities at a young age. I had to go grocery shopping by myself and make full dinners by 4th grade, and thought this was unfair. Finally, what annoyed me the most in my teenage years was that my mother would often make me do things according to her value system, which was often antithetical to mine. For example, if we stayed at a hotel that offered breakfast, she would tell me to take extra food from the hotel for our lunch; I thought this was like stealing. Through other relocations and family fractures, literature and other cultural works made better companions than family or peers because they were portable and consistent, and made no unreasonable demands. So throughout my childhood and teenage years I delved deeper into art and literature, and became more and more anti-social.

Due to being anti-social and from what happened to my parents, I also came to avoid romantic relationships. I blamed my father for his distrust and being irresponsible towards my mother and I, and blamed my mother for dragging us around the world for her career, for not being sensitive to my father’s dissatisfaction with our family life, and especially for being absent in my early years. I often felt like I was adopted. The only way to ensure that I don’t repeat their mistakes, I thought (and still think, to a certain extent), is to avoid romance and a potential family of my own altogether. And, paradoxically, I came to continue the pattern of relocating every once in a while – I could have not gone to China to teach English, and I could have stayed in Canada for my PhD, but I didn’t. The psychology major side of me thinks that maybe I feel like I don’t deserve a stable life, or I’m afraid that I would mess up a stable life, or something.

My parents also blame themselves for the same things, and more. I was born 2 months premature because my mother’s health and academic pressures meant she actually couldn’t sustain a pregnancy for the full term. Despite my health and intellectual faculties being all right, I am psychologically more fragile than average, prone to depression and anxiety. So, my mother blames herself for the same things even before I was born and for “not giving me a healthy brain.” She also blames herself for leaving me with my grandparents where I inevitably learned their thought patterns; my maternal grandparents, at least, are a bundle of neuroses and paranoia from being targeted and exiled during the Cultural Revolution (more on this in a bit). My father blames my mother for being a bad mother, and blames himself for not providing a good male role model in my teenage years, which he believes resulted in me hating men. Recently he told me that it would be okay if I was a lesbian as long as I find somebody – for a Chinese parent to say that, even pretty liberal ones like my parents, they’d have to be pretty desperate.


In the past few years, my parents have been trying to make up for this, especially my mother. In reverse-parallel, instead of continuing to blame them, I have come to realize that they are not so much at fault (again, especially my mother). Most of this came from my humanities and social sciences education which showed me that my experiences weren’t all that unique, and also showed me the social forces that have similarly affected others.

a. global development and migration, US sovereignty, Chinese Communism

One instance last fall was that I was a TA for a class on immigration to the US, and we talked about push and pull factors for migration. Specifically, we read an article about Latina domestic workers in the US, who leave their own children behind, and send remittances back home and miss their children terribly. However, due to the income gap between the US and Mexico, and sometimes irresponsible husbands, they can’t stay behind to take care of their children if the family as a whole is to survive. Many of my students from China, Hong Kong, or Taiwan also experienced a childhood similar to mine. Part of the discussion for that week was that while Latina domestic workers and the parents of my students, and my parents, do not belong to the same ethnicity or class, they are actually caught up in the same forces. The obvious analysis is that Mexico and China during the 80s and 90s were a lot less “developed” than the West, had fewer job opportunities, and paid lower wages, so this prompts both Latinos and people like my parents to move, but similarities go deeper than this.

One similarity between the Latinas and my parents is the kinds of jobs they were required to do outside their country (more pull factors), which sounds nonsensical, as the Latinas described in the article are domestic workers and my parents are professionals in science and tech. However both of these kinds of labour are what Western countries required of different foreign populations at the time; Latina domestic workers are pulled into the US because US women work their own jobs and can afford to pay them. Similarly, North America needed professional labour like software engineering (my father) and medical research (my mother), and it is a fact that Canada emphasized professional visas during the time my parents immigrated. Correspondingly, push factors between Latina domestic worker and my parents are also comparable. China was just opening up economically under Deng Xiaoping at the time, and aimed to develop like the West and encouraged more students to choose technical professions.

The US has been imposing itself on Mexico even more directly than it has on China; for the immigration class we learned about the Mexican-American war, but more importantly something like NAFTA, in which the US and Canada benefit by more by having lower tariffs for importing good from Mexico and cheaper labour from Mexico, whereas it seems like the Mexican economy is increasingly geared towards supplying what the US and Canada needs (eg maquiladoras), rather than to strengthen its own infrastructure. So, through TAing for that class, at least the point was driven home to me that larger social forces prompts migration, and sometimes the same larger forces prompts vastly different trajectories of migration, and I can’t blame my parents as if it was just their personal decision to move. In addition, while I did always recognize that there is a gender double standard, the stories about the Latina domestic workers really made me appreciate that it was unfair that my father and I blamed my mother for devoting a lot of time to her career.

There are also similarities between Mexican migration to the US and my family in the case where my father got deported. When we think of deportations in the US, usually deportation of illegal Mexicans come to mind, a clear case being the bit of national hysteria in 2010 that Mexican farm workers were taking American jobs. Whether Obama is deporting more people than previous presidents is debated, but it seems to be the case. Anyways, during the economic recession, my father lost his job in Canada but found one in the US. He had been working temporarily as a security guard in Canada and his uniform was in his car. He did not put this job on his resume as the resume was for a computer engineering job, and he was advised by a career counselor that a security guard job on his resume would make it look bad. After getting the job in the US and entering the US again, his car was searched and he was questioned about the discrepancy between the uniform he had in his car, and the absence of this job on his resume, and was accused of falsifying his documents. My father never talked about this – these details I got from my grandmother and my dad’s girlfriend. They believed that he argued with the CBP officers, and got a lifetime deportation both for what they charged him with and for being uncooperative. During the time my father was deported, there was a report circulating in the Canadian media that an undergrad student who went to the US as a volunteer group to plant trees was turned away at the border, where CBP officers accused her of taking jobs away from Americans.

The US needing labour like Latina domestic workers or Silicon Valley technicians has a similar negative flipside, which is that the US has no qualms about abruptly cutting off these sources of labour if its own labour force is threatened. One can argue that of course a nation has to protect its own labour force first, and that is national sovereignty; however, it could do so through means that were less harsh and more systematic and transparent. Eg, if the federal government wanted to decrease immigration during the recession, and said so publicly, this would give lobbyists and interest groups space to deliberate and perhaps figure out ways in which both the domestic labor force and immigrant workers could both benefit, or at least ways where immigrant and migrant labourers would not be shouldering a disproportionate part of the burden of the recession just because they don’t happen to be Americans. In this case the US seemed to have tried to sidestep criticism by curbing immigration unofficially and only through repressive enforcement, in a way that immigrants can’t even appeal. In terms of my personal life, of course I am in no way as unfortunate as children who are left orphans in the US because their parents get abruptly deported, but I exist along the same continuum in that while I study in the US, my father can never come to visit me.

Finally, China as the sending country for my parents’ migrations means that I can’t let it off the hook either. If the Qing dynasty in China wasn’t so self-absorbed and better able to respond to demands for reform, and each successive government / warlord / cabal were able to put the nation’s interests truly at heart, China would have sorted out national development issues more efficiently and long before this, instead of scrambling to do so in the end of the 20th century. However, I also see China’s opening up being due to the West pushing free markets and ideas of what a modern society should be onto China, which China ultimately had to buy into if it is to exist in an interstate world system (Wallerstein alert! and I still haven’t watched Nixon in China and I really want to). Extreme political regimes might be seen as a country’s domestic problem, however I do believe that any extreme political system is a reaction to foreign intrusion. Not to excuse the Nazis, but I think historians generally agree now that the treaties hammered out at the Paris Peace Conference after WWI were overly stringent on Germany and contributed to Fascism taking hold. In the Chinese context, something like Communism setting back economic development for decades can be seen as the evils of Communism or China’s own incompetence, however the country was really a mess from 8 foreign nations all poaching bits of China in the beginning of the 20th century, Japanese invasions in WWII, and instability on the Republican side of things, so it’s no wonder Communism seemed to present a better solution. This can be seen as decades removed from my life, however I did mention that my grandparents are paranoid and neurotic from being targeted in the Cultural Revolution. The reason they were in Harbin, which is practically Siberia, is because they were exiled after criticizing the government as a part of the Hundred Flowers Campaign. Consequently, they both have anxiety disorders and take high doses of Valium, and get irrationally fearful about daily life events; my mother can’t even make a phone call to a friend without my grandparents whispering warnings that the friend might be a spy. I’m sure some of these mental issues were passed down to my mother, and in turn got passed down to me, so my mother’s self-blame that she failed to give me a healthy brain isn’t exactly her fault. My grandparents were also kept away from home a lot of the time when my mother was young, so I think that might have contributed to her believing that not being around to take care of me wasn’t anything out of the ordinary.

b. British imperialism and Irish immigration policies

“Act of Union”
– Seamus Heaney, from North (1975)

To-night, a first movement, a pulse,
As if the rain in bogland gathered head
To slip and flood: a bog-burst,
A gash breaking open the ferny bed.
Your back is a firm line of eastern coast
And arms and legs are thrown
Beyond your gradual hills. I caress
The heaving province where our past has grown.
I am the tall kingdom over your shoulder
That you would neither cajole nor ignore.
Conquest is a lie. I grow older
Conceding your half-independent shore
Within whose borders now my legacy
Culminates inexorably.

And I am still imperially
Male, leaving you with pain,
The rending process in the colony,
The battering ram, the boom burst from within.
The act sprouted an obstinate fifth column
Whose stance is growing unilateral.
His heart beneath your heart is a wardrum
Mustering force. His parasitical
And ignorant little fists already
Beat at your borders and I know they’re cocked
At me across the water. No treaty
I foresee will salve completely your tracked
And stretchmarked body, the big pain
That leaves you raw, like opened ground, again

Another sore spot I held was that it was fine if my parents moved for career opportunities, but this didn’t mean that I had to be left behind in China as an infant, or that we had to move to Ireland of all places and then had to leave there too. One consolation from my immigration class is that it made sense for serial migration to occur, which is that one capable head of household to go somewhere first and set things up, and this happened to be my mother. Again with the gender double standard, if it had been my father maybe there wouldn’t have been as much resentment between them. In terms of why it took years for me to go to Ireland, my mother explained to me that they would actually have liked to stay in Ireland but Ireland had a zero-immigration policy at the time, and pretty much kicked us out, so we had to go to Canada. She also explained that she had tried to get a visa for me to go to Ireland on many occasions but my visa was denied every time until I was 7; apparently even a visitor’s visa application was rejected at some point. Again part of the zero-immigration policy. From my studies on American immigration restrictions, I know that one strategy of ensuring that immigrants don’t settle is to not families come and “breed more of their kind”; during the railroad building days in the US, Chinese men were welcome but not Chinese women (more on the effects of this in Part II). Ireland was doing the same thing.

So, instead of blaming my parents, I could blame Ireland. My mother still does; recently she had to contact the university she studied at in Galway for documentation of her PhD, and called me afterwards in tears because the registrar was rude to her, and this brought back all her memories of discrimination there, and said that she really wanted to go on a shooting rampage through the country. However over the last summer, I also realized that Ireland wasn’t entirely to blame, either.

Last summer I revisited the works of Seamus Heaney, an Irish poet and the winner of the Nobel Prize (sadly, he passed away at the end of summer). I had read his poetry in high school English class, and it didn’t register to me at the time as anything relevant to my life, especially not the ones where he imagines how bog people (like the Tollund man) came to be. This time I was drawn to his poems about the relationship between England and Ireland and the effects of British imperialism there, like “Requiem for the Croppies,” “England’s Difficulty,” and especially “Act of Union,” the poem opening this section. It is rendered as England speaking to Ireland as a male perpetrator of rape towards a female victim. I hadn’t taken History in high school but I knew that England and Ireland had always had an embattled relationship, with Ireland partitioned between North and South in 1921; British loyalism and Protestantism had a strong presence in the North but the South were mostly Irish nationalists and Catholics. These groups clashed over the course of a few decades; when I was living there, the fighting was still going on in Northern Ireland, and girls my age were pelted with rocks in the streets. I remember in 2nd grade, the teacher made an emotional announcement that a cease-fire had been reached; I know that a few years after my family left, Great Britain and Ireland signed the Good Friday Agreement. Still, most of this knowledge was just an intellectual understanding, not personally relevant.

Re-reading Heaney’s poems really changed my intellectual understanding to an emotional, sympathetic understanding, and I saw the larger picture. While Ireland made sure I could never be Irish, oddly enough I would have align myself with Irish nationalists, because making Ireland whole again sooner would have been a first step in its healing, and thus speed its eventual opening up to foreigners like my family. When I look at a map of England and Ireland, I am always a little indignant that Northern Ireland is a different colour from the rest of it. So, I understand that the zero-immigration policy was part of a defense mechanism from a country that had been under attack and threats of political and cultural erasure for centuries, and it makes sense that its first priority was self-preservation. At a ground level, the ignorance of children at school and of adults that my parents met were a by-product of the country preoccupied more with their own political upheavals and maintaining itself culturally, which is also part of self-preservation. Ireland has changed its policies since then; I recently met a Chinese student in LA who went to Ireland as a part of a specific Ireland to China student exchange program. I suppose it was still bad luck that my family went to Ireland when it was not ready to receive foreigners, but if I need someone to blame I would have to blame it on centuries of British imperialism that prompted Ireland to make the choices it made. Or, to go back even further, Great Britain existed in a highly competitive European interstate system, so it had to be strong to survive, I suppose, so in the end blame fizzles out.

II. American immigration policies, White supremacy, Asian machismo; Chinese imperial tribute system, American opening of Japan, Japanese colonialism, Korean nationalism (Lovers)

Everywhere in the world
the roving Yankee
takes his pleasure and his profit,
indifferent to all risks.
He drops anchor
at random…
Milk punch or whiskey?
…He drops anchor
at random
till a sudden squall wrecks
the ship, hawsers rigging and all…
He’s not satisfied with life
unless he makes his own
the flowers of every shore.

– Pinkerton, in Puccini’s Madama Butterfly (1904)

In the post on interracial dating I have already discussed a bit about how choice of partner has political significances – for example, my Vietnamese house mate who grew up in a Black neighbourhood in Oakland refuses to date White men because she feels like White men tend to have unacknowledged privileges and tend to not be aware of how history has impacted people of other ethnicities. I also discussed how a classmate who is Black wanted to date me and how this could be seen as a small but politically significant gesture of understanding between two ethnicities that usually have nothing to do with each other. Part II is similar but the sad flipside of these examples, which is that social and historical forces can overwhelm these personal acts of solidarity.

Skip the biographical details

I was in a brief romantic relationship from December of last year until this January. While it was brief, and it was almost entirely long-distance (with me being in LA and he in Hong Kong), it gave me a lot to think about. The man I was with is Korean, and two relevant points derive from this. One, his family is descended from royalty from the Silla dynasty, and he is the oldest male of his generation. To continue his family’s royal legacy he must marry a Korean woman and produce pure-blooded Korean children, and pass down thousand-year-old genealogical records down to the next generation. This seems archaic and pointless and even he has said this is archaic and pointless, but he has to shoulder this responsibility, and this has been a burden on him. As I am not Korean, this means that the relationship will have to end at some point, and he point-blank told me this. Two, less significant for altering the course of my life but equally theoretically significant, he said at one point that he has had sex with White women (apparently in Korean it’s called “riding the white horse”). Apparently, this is seen as an achievement among Korean men, and he also sees this as a point of pride. The implication, I suppose, being that since I am not White, a relationship with me doesn’t carry the social prestige of having a relationship with a White woman.

My friends and family who have seen me through the ups and downs of this relationship have largely laid the blame on him as being ideologically weak for going along with a tradition he doesn’t agree with; additionally, my more ethnically conscious friends who grudgingly understand why he needs to settle down with a Korean woman are furious that he seems to be buying into a structure of White supremacy, where compared to White women, I am somehow lacking. Going into a relationship knowing it will end, and having the problem be my race, was difficult at both emotional and moral/intellectual levels. I took some time to think about whether to continue the relationship or not, and importantly whether I could still be a good partner with this hanging over my head. While I ultimately decided that I could, he said he also needed to think. Some time later told me that long-standing psychological issues (which have their roots in family issues) arose on his end while I was deliberating, and so he could not maintain a romantic relationship. He also cut off contact completely, and 7000 miles of ocean isn’t conducive to trying to negotiate if one party does this. I was devastated and always will be to a certain extent; however, since I have the benefits of insight from figuring out the socio-historical factors that contributed to my unstable childhood, this situation also merits similar insights.


a. American immigration policies, Asian masculinities

The whole thing about White women didn’t contribute to the end of the relationship but it still hurt, and prompted me to think about race and gender structures and specifically the problems with Asian masculinities. Historically, Asian exclusion in the US meant that Asian men couldn’t bring their families, and women were not allowed in so as to guard against producing families, though some prostitutes were – I believe the justification was that unless the working men had a sexual outlet somewhere, they’d channel that towards disobedience and rioting. Anti-miscegenation laws meant that Asian men weren’t allowed to marry White women, and as “aliens ineligible for citizenship,” any White woman who married an Asian man would have her citizenship revoked. Since only men could own property and vote and such, marrying a non-citizen pretty much meant no livelihood and civil and social participation. Due to the smaller stature of Asian men, and that earlier Chinese immigrant men had long hair, plus getting shunted off into businesses like laundry and restaurants, meant that Asian men were seen as effeminate and not “real men.” On the other hand, because early on the few Chinese women were let into the US only as prostitutes, this generated a sense that all Asian women had some special, deviant form of sexuality; additionally, American military interventions in Asia put American servicemen in contact with local women, many contacts being in the context of sex work. There is also the idea that Asian men treat women badly and that Asia is poor and so White men can save Asian women, but because Asian women are used to being treated badly they will be happy with little and be submissive partners. In contrast to Asian men seen as not being men, Asian women are seen as overly feminine and hypersexualized. Plus the whole Madam Butterfly thing where Asian women are supposed to be more loyal and self-sacrificing, possibly because of her inferiority complex as Asian and not White drives her to devote herself to a man of a superior race, possibly because her strong cultural traditions make her fully committed. If I’m missing any historical influences please let me know.

Anyways, both stereotypes against Asian men and women gave rise to the idea that it is fine for a White man to be with an Asian woman but it is out of the ordinary for an Asian man to be with a White woman. Among Asians, this created the gender double standard that an Asian woman who dates a White man is a race traitor, whereas an Asian man who dates a White woman is heroic for challenging the status quo. In terms of the Korean man I was with, this situation triggers opposing reactions in me; as an Asian person and to be crude, I would say good for him for challenging the racist status quo and having sex with White women; however as a woman, I would say he seems to be using a fellow woman, regardless of race, to bolster his sense of masculinity, especially if/since they weren’t long relationships but just casual sex. And, as I stated, since I am not a White woman this somehow places me beneath White women. In this case, because gender and race are both implicated, oddly enough challenging the status quo ends up buying into it. Asian men who have relationships with White women seem to be going against White supremacy, which historically disallowed unions between Asian men and White women. However, in choosing White women over Asian women, Asian men would be repeating White supremacy.

Similar to my opening example of what chains of oppression are, in this case White supremacy has targeted Asians, but then Asian men, in trying to work against White supremacy, end up becoming oppressors again by devaluing Asian women. A similar pattern also contributed to my parents’ marriage not working out, though in their case there was no White woman in the picture. But because my mother was always more career-oriented and successful, I think my father felt like his masculinity was being compromised, and so he blamed her for not being a good wife and mother. I have been angry about how fraught Asian masculinities have played out in my own life in both cases, but after thinking through the historical forces that affected how Asian men respond, I have to say that I am disappointed but not necessarily angry. I especially understand that this is not just an issue in America. In a Chinese context, Communism insisted on gender equality, however I don’t think it really rooted out traditional Chinese gender hierarchies. So with Communism slipping into capitalism during the time my parents grew into adults, I think my father would like to say he advocates for gender equality but still subscribes to the idea that gender roles should be clear cut; also, in a modern capitalist society, he is disappointed that my mother succeeded as the driving force behind our family when he was unable to be. Korea has been encroached upon by the US (more on this below), where the US is often depicted as a masculine saviour of feminine nations in need of rescue. In addition, modern development has vastly restructures social relations, and so Korean men may tend to feel like they have lost their collective national masculinity. It is unfortunate that they react to this by encouraging each other to have sex with White women, and I am sorry that someone I otherwise respect for his ideas buys into this, but I can see where it comes from.

As for my decision to keep going with the relationship, I do worry that I am repeating the stereotype of Asian women as Madam Butterfly kind of figures. Personally, my decision is partly due to what I mentioned in Part I, that my parents were in different ways irresponsible to each other. If I do stumble into a relationship, I want to maintain a relationship to the best of my ability, even if I come away with little. But the synopsis for Madama Butterfly on Wiki reads: “She is a 15-year-old Japanese girl whom he is marrying for convenience, since he [Pinkerton, the American officer] intends to leave her once he finds a proper American wife.” In my case, it would have been that I am a Chinese woman he is dating until he finds a proper Korean wife, though I don’t think it was for “convenience.” Anyways, Pinkerton goes back to the US for 3 years and Butterfly waits despite the advice of those around her, and when Pinkerton comes back with his American wife, Butterfly kills herself.

I was thinking that maybe I am even worse than Butterfly, since she doesn’t know for a fact that Pinkerton abandoned her, whereas I would have gone into the relationship with the knowledge that one day I would be. Also, even now that the relationship is over, I find myself wondering whether I should wait for his psychological issues to lift, and I suppose that being similar to Butterfly, waiting with no word across the Pacific, isn’t any comfort. I’m obviously not going to kill myself over this, but preoccupation with this has led to a lack of concentration for other matters, which has led to minor accidents. In the worst of my distress I found myself thinking that it was rather pathetic that Butterfly at least actively kills herself, whereas if I do manage to kill myself it would only be by accident. The fact that in my life the man is Asian and not White, I think, doesn’t change the fact that I might be reinforcing stereotypes of Asian women. I am not sure how to balance responsibility towards others with something like the need to address historical stereotypes, or personal dignity, and in this way I am in a reciprocal but same position as Asian men. This will continue to bother me.

b. Colonialisms and nationalism

I suppose in terms of the Korean man I was with, both White women and I are in the same boat in that we were both temporary. The direct cause of the ending of the relationship are personal issues, but I see Korean nationalism as a factor in what happened. Or, I suppose a more specific term would be ethnonationalism, where the nation is defined as being the point of identification for a specific race and culture to the exclusion of other races or culture. There are similar cases to mine; one of my mother’s co-workers in China dated a Korean woman for the last 8 years, but her parents adamantly refuses to let her marry a non-Korean, and made her break up with him. This is also most definitely a race and ethnicity issue and not a class issue. My parents would be uncomfortable with me dating a Black man, but mostly because they believe that Black people are predominantly “lower class,” or that African American culture somehow evolved to hold lower class values. So, if a Black person I date fits into my parents’ idea of what a nice upper-middle class gentleman is supposed to be like, they’d actually have very few objections. When my mother was telling me the story of her colleague, she kept on emphasizing that he comes from a good family and has a PhD and a great job, as a way of saying that his race is the only grounds for objection. Another example of nationalism is what I pointed out in the post about the animated series Hetalia, where the South Korean National Assembly concluded that the way Korea was depicted is equivalent to a criminal act, and banned the series. This act has baffled fans in the West who couldn’t understand why Korea is so nationalist.

In my relationship I see a repeat of Ireland, which is that I am again running up against the reactionary tendencies of a smaller country that it has developed as a coping mechanism due to being historically trampled on by larger imperial neighbours (and it seems like I’m again running up against the exclusionary policies of the southern half of a partitioned country. Either there are indeed weird patterns in my life or I have apophenia). Arguably Korea has been worse off than Ireland; geographically Ireland is isolated from the rest of continental Europe, and while there was Norman presence in Ireland, largely it was only Great Britain that sought to take advantage of it. Korea, however, is in the middle of Russia, Japan, China, and more recently among the US’s transpacific designs. During the Korean War, Korea was partitioned with the USSR plus China and the US taking respectively North and South. There is still American military, not the mention economic, presence in South Korea – popular culture references to this appear in the movie The Host, as well as a controversy last year over anti-American songs from the Korean pop star Psy. In ancient times Korea was a buffer zone between Japan and China and got alternately invaded by China and Japan (eg Hideyoshi invaded en route to China in the late 1500s) or sucked into the Chinese imperial tribute system. In the tribute system, the Emperor of China is the only person who can call himself “emperor,” sees China as a superior leader that should govern other territories, and demands tribute or payment in return. I think historians have generally seen it as a economic structure rather than a political one, and usually imperial China didn’t interfere too much with local politics elsewhere as long as they got their tribute. However, Korea being part of the tribute system means that China technically had say over Korean royal succession, which I find bitterly ironic for my case (and the dynasty the Korean man is descended from also had alliances with China’s Tang dynasty at the time, which I also find bitterly ironic). Anyways, in the 20th century Korea was under Japanese annexation with language and culture suppressed, a large number of historical cultural artefacts plundered, and in WWII Korean men were drafted while women were abducted en masse as “comfort women” and forced to work in military brothels. Also, from the Korean war with American military presence in South Korea, there is a sense that White men are taking up Korean women (Nora Okja Keller wrote 2 novels on both of these issues, and here is more information about Korean prostitutes for US soldiers). Given this kind of history, Korean nationalism isn’t all that surprising. Just as I understand Ireland for its seemingly extreme procedures for self-preservation, I also understand that Korea is in a similar position.

As a woman, the atrocity of comfort women makes me especially ill. While the abduction of women as prostitutes is part of military and political imperialism, I think it also has an afterlife separate from military and political affairs. A history of political and economic encroachments might make a small country emphasize political sovereignty and economic development, however something like the abduction of women as prostitutes, or having foreign (US) soldiers stay in your country while buying the women of your country as prostitutes, would affect what the country sees as appropriate structures of intimacy and kinship. In addition, from a History book we recently read for class (Race for Empire, by Takashi Fujitani), I learned that under Japanese colonialism, there was a lot of propaganda trying to make Japanese and Koreans form family units so as to assimilate Koreans faster. The theory of biopower would be useful to explain this. Michel Foucault (a theorist / social and political philosopher that American Studies tend to refer to a lot) defines biopower as a nation-state using all kinds of processes to manage the bodies of individuals and to manage populations (populations here being a group of individuals sharing some biological similarity, eg the census asking for gender gives the state an idea of the male and female populations in the country).

Foucault’s theories about power in general are important because he goes beyond defining power as a force that has negative impacts and shows that power operates just as much where it has positive impacts. In biopower specifically, something like historical US anti-miscegenation laws prohibiting interracial marriages has essentially the same kind of reasoning behind it as giving pregnant women and mothers in the US today maternity leave – in the first case, a threat to a population (America, defined then as White) is to be forestalled, in the second a contribution to a population (American) is to be promoted. What this (seemingly crazy) kind of thinking allows us to see is that it very well may be that in every case of positive biopower exercised upon a population, someone is the negative target and excluded from this population. In the case of American women given maternity leave, while Americans are no longer defined only as White and it seems like this benefits everybody, women like undocumented Mexican mothers would not be getting maternity leave because the US does not want to support more “illegal” Mexican children. While this seems like common sense, as in of course if they’re illegal we don’t want their children either, it’s precisely by limiting breeding that no more illegals are produced, and this regulation of bodies and what they do is biopower in action. In the case of Korea, the response to decades and centuries of outside imperialism is to go beyond ethnonationalism in the cultural sphere to biopower, where social discourses set the goal of Korean racial purity (much like earlier US anti-miscegenation laws). In turn this dictates appropriate unions of intimacy and what kinds of bodies are produced to further the nation.

In addition, in light of the removal of historical artefacts and Japan’s and later the US’s encroachments on Korea, it also makes sense that Korean people today would believe they bear extra responsibility for preserving the historical legacies they have left. A friend of mine in political science was exasperated on my behalf and said that nations need to move with the times, however I do think that if a nation emphasizes a seemingly archaic and pointless tradition, or even a graver tendency like biopower, this tradition must have a social function even if it doesn’t have a utilitarian function. Again, just my bad luck to date a Korean man while the country is still recovering from various imperial interventions, and it was his bad luck to be born at this specific cultural time and into a family who has extra incentive to maintain their historical legacy.

However, I have also been re-thinking Japanese colonialism. After all, during the Tokugawa period Japan didn’t really bother anyone else despite having domestic and economic and production issues, but then Westerners, most notably America and Commodore Perry, came along and forced Japan to open to foreigners. And it looks like Perry was a part of the Mexican-American war and the War of 1812 – this goes to show how far American imperialism can stretch. Specifically, the American idea of manifest destiny meant that the US believed that it was destined to and responsible for spreading its civilization through North America. This prompted the wars with Mexico to acquire the American West, and once it reached the Pacific, manifest destiny pushed onwards to Asia. Like the Chinese decision to open economically, which affected the careers of my parents, Japan’s opening up was due to Western intrusion and demands for resources and markets – the Convention of Kanagawa and subsequent treaties established economic and trade concessions for the US. Japan’s 20th century designs to unify Asia and to create colonies like in Korea came from the model of Western imperialism and colonialism, and Japan believed that to survive among the world powers it must emulate them. I am the last person who would absolve Japan of its atrocities, however I do believe that Japan is in the middle of another chain of oppression, with American imperialism and Western free market ideology again at the top. And in this case, perhaps, understanding is not necessary to excuse. I suppose I should hold these forces responsible for why my last relationship didn’t work out, just like in figuring out the forces behind my childhood instability leads me to ultimately hold British Imperialism responsible. Well, that was a productive Valentine’s day weekend.

Concluding remarks: Survival, forgiveness, and poetic justice

“After such knowledge, what forgiveness?”
— T. S. Eliot

If I sound like a crazy person for saying that it’s American free market ideology that messed up my love life, then yes and no, it is what I am saying and it also isn’t. Yes: from an American Studies perspective, which focuses on the negative aspects of American social, political, and cultural decisions, yes, American free market ideology messed up my love life; this is the afterlife of empire. In addition, imperialism goes on. Everyone living in the US today is potentially a Commodore Perry, operating through a common sense structure of bettering their own life and the status of their nation at the expense of others. As I said to my Business Administration students in the immigration class, as future CEOs of their companies, they might prioritize higher profits over granting benefits and time off for their employees who are also mothers. In turn, those mothers might need to hire Latina domestic workers, and so the separation of Latin American families may get perpetuated; my students also exist in a chain of causality. No: sounding like a crazy person is part of the point. I doubt Commodore Perry could be aware that opening Japan would trigger a chain of oppression that would result in war, Japanese colonialism in Asia, vehement Korean nationalism, continuing international conflict, and less significantly, a Chinese-Canadian woman having her heart broken 150 years later. Of course, there are plenty of intermediaries in this chain to make the next person miserable. From a non-American Studies lay person point of view, the take away conclusion is that responsibility is not invested in those immediate to us but distributed across history, and institutions, and collective consciousness beyond the control of individuals. Those immediate to us are easier to reach with blame, that’s all. I can no more fault the Korean man I dated and his family for operating in a structure of Korean self-preservation than I can fault Commodore Perry.

A broader question remains, though, which is how much responsibility we can attribute to individuals and collectives in the chain of oppression. On the one hand I want to say that we are all individually responsible for not passing down oppression to the next chain. In this formulation, Ireland should not have adopted a zero-immigration policy regardless of the fighting in the North and the history of British imperialism; instead of staying in Ireland, my parents should have gone back to China so they could have stability and be responsible to each other, and me; China should have tried to make Communism work instead of caving to free market ideology, or it should have sorted itself during the Qing dynasty. The US should have granted Asians an equitable place in society if it needed their labour, and Asian and Asian American men should not put their masculinity before behaving ethically towards all women. Japan should not have tried to emulate Western imperialism despite being forced to open its ports; Korea should not over-insist on racial purity and cultural preservation even if Japan and the US has encroached on both; the Korean man’s family should realize that their family traditions can potentially impact his happiness and not expect him to carry it forwards. And one day he will be faced with the choice of asking his own children to continue this legacy or not. These sentiments are encapsulated in the quotation from Tom Paine at the beginning, and this quotation is actually one of his favourites. I never got to ask him about it, but I can guess that feeling the chain of oppression weighing on him is why he is drawn to Paine’s statement.

However, I also believe that holding everyone responsible, especially those in the lower sections of the chain, is an unreasonable demand. I have had arguments with my classmates in American Studies about this. They rightly believe in taking action against oppression instead of compromising or allowing oppression to change oneself. However once I brought up something I learned in a Canadian Literature context, which is that Margaret Atwood has argued that all CanLit has something to do with the theme of survival. I have repeatedly characterized Ireland and Korea as adopting policies of self-preservation – to me this is the politics of survival, which might have to take priority over recognizing that oneself or one’s country can potentially be an oppressor. This would be like a social or national version of the psychologist Maslow’s theory of a hierarchy of needs, where an individual needs food and shelter before self-actualization. With this insight, I also revised my view of my mother’s values (eg taking extra food from hotels). I still don’t agree with a lot of the values she held, and she has changed to not hold those values either, but we both realize that those values comes from survival. Growing up with poverty in China meant that to ensure survival people often needed to take maximum advantage of what little they were offered, and unfortunately this informs patterns of thought and behaviour that persist long after the conditions that led to these behaviours have changed. My paternal grandmother is even worse – she is getting subsidized housing and a monthly pension from the Canadian government, however she still constantly goes to the food bank because the food there is free. 10 years ago I would have been angry at her, but I understand that this just comes from having so little for most of her life that she can’t change it. My dad’s girlfriend, who thankfully does not torture herself over these things, told me quite practically that we cannot change my grandmother’s behaviour, but the least we could do is to make sure she doesn’t eat anything from the food bank that is already expired.

Maybe a slightly schizophrenic way of thinking is in order – we need to each live to recognize whether we might be one in a chain of oppression and do our best not to pass it down, but we also need to forgive others – and ourselves – if we cannot achieve this. I forgive my parents, and given my understanding of the social and historical forces around both them and me, I’m uncomfortable saying that I could even “forgive” them like it was in my right or power to do so. I have explained my thoughts to my parents and told them I no longer blame them, and I think they also no longer blame themselves. As for my recent relationship, there are two entities that I need to “forgive,” one being the Korean man himself, and less obviously, Korean women. Pettiness can overtake me sometimes; for a few days after being told that not being Korean was a problem, I couldn’t stand the sight of Korean girls on campus, since each of them automatically had a better chance of being with the Korean man than me by virtue of their birth. I have already discussed how emphasizing racial purity in Korea can be an example of biopower. Here I would add that seeing that biopower always operates through both positives and negatives at once would mean we also see that a) there is no positive application of biopower without the negative, and vice versa; b) both those negative and positively impacted by biopower are victims of power, even if those positively impacted seem to have more privilege. In the structure of Korean ethnonationalism, I am the victim of the negative exercise of biopower since I am deemed unfit to reproduce; however Korean women are the targets of the positive exercise of biopower, saddled with the extra burden to reproduce. So, Korean women might have romantic privilege over me in this case, however this does not mean they are in a vertical relationship to me and passing down oppression onto me; we exist horizontally in the same boat (sorry for the mixed metaphor), just on different ends of the boat.

As for the Korean man himself, I can’t assume his psychological issues are a direct result of his family pressures, but I’m pretty sure these are a part of it. So, historical forces do not only impact his choice of a partner but may also affect his mental health in general. Thus, all of his relationships are affected, and sadly especially his relationship with himself. In turn, I am affected twice over; historical forces have precluded me from a long-term romantic relationship with him, and then when I reconciled myself to this, their impact on his mental health excluded me from even being his friend. I could be angry at him about this, and friends have generally taken me not being angry as a sign of weakness or that I am deluded as to his character, or something along those lines. However, I have reached an understanding that is helping me cope: he is like Korea and Ireland on a smaller scale,and needs to withdraw to ensure self-preservation. Again, if I have any right to forgive, I forgive him too.

I am even more uncomfortable saying I am in a position to forgive him, because I believe I’ve passed my chain of oppression onto him as well. Maybe my mother is right that living with my neurotic grandparents shaped my thinking. But, I think as a teenager, I had a period of obsessively thinking of all the factors that contributed to my parents getting divorced, and I think this developed into a general cognitive tendency to dwell on things and overthinking them (this post being a case in point). The Korean man once said to me that he has a lot of baggage, and I replied that my heart was big enough. When I lamented to my mother that I can no longer offer him support as someone close to him, her way of making me feel better was to say that given my tendency to make a big deal of things in this manner, I would probably end up increasing his burden instead of lightening it, so it’s not really his loss. I resisted this idea for a while, but realized that it may very well be that seeing me so distraught about the impending ending to the relationship made him realize that I indeed could not share his burdens, and he put the blame on himself and his issues so as to preserve my self-esteem.

Even if this was not the case, if I were a better-adjusted and secure person without all the (various imperialism-chain-induced) baggage from childhood, I might have been able to more quickly shrug off the prospect of the relationship ending, and I would have been here for him when any psychological issues manifested. I suppose how we pass down oppression can be both actively doing something oppressive or failing to do something supportive. Japan modernizing and trying to establish an empire in Asia would be an active way of passing down oppression, whereas my anxieties getting in the way of supporting someone dear to me would be passing down oppression by failing to act. I told a friend that I wanted to make up for avoiding relationships in the past by not holding back with this one, and that I would rather cross the line than commit sins of omission. However at the crucial moment I did not act; it looks like I committed sins of omission anyways, and my heart wasn’t big enough after all. So, in the end, I can only hope that I am forgiven, and I am still working on forgiving myself.

Two things have been hard to work through in the process of self-forgiveness: one is precisely what my mother accused me of, that is overthinking. I have always taken my ability and willingness to engage with complexity as a positive trait, despite being told that most people just want to find a partner or friend who is “light.” Gendered notions aside (where a grave man who thinks deeply is attractive but a grave woman who thinks deeply might not be), this situation made me realize that engaging with complexity does slide too easily into making things a bit deal, and potentially hurt those around me. I am still wondering whether I can turn this kind of thinking on for something like my PhD program, but turn it off everywhere else.

Two, as a subset of overthinking, I have lived in the belief that I am never simply me but rather a product of historical and social forces, and therefore my personal is political. This sentiment is actually the kernel of Frantz Fanon’s quotation at the beginning. Fanon was a Black psychiatrist and philosopher who studied in France and lived in Algeria, which had been a French colony. On the face of it, the quotations sounds like he just wants to live as a free individual of the present day and forget about history, but in the context of his writings, it means the exact opposite. Fanon believed that the history of subjugation and the psychological damage it has caused Black people should be confronted, analyzed, and rectified if true self-determination is to be reached; destiny is not in history but in working through the problems presented by historical oppressions. I have always aligned myself with this. As I was obsessing earlier about the similarities between me and Madam Butterfly, centuries of East-West relations and race and gender hierarchies operate behind whom I choose as a romantic partner and how I behave. It is hard for me not to see the matrix of historical and social forces that operate around us, and I expect this awareness of others. This is why I am the most annoyed by the historical amnesia of other Chinese people whose only goal is to make money and enjoy life.

However, in interacting with the Korean man, I have come to realize that perhaps the personal being political is not necessarily a good thing. My personal being political is largely self-imposed. No one determined from before I was born that my nation’s history must find survival in my bloodline, that my worth as a person depends on marrying a Chinese man and producing pure-blooded Chinese children. I could leave my PhD and do a regular 9 to 5 job and never think about all this again, but the Korean man does not have this privilege. To phrase it in terms of the personal being political, the Korean man’s personal is predetermined to be political and he has no say in the matter; thus, it is the result of oppression in the form of ethnonationalism and biopower. Also, along with the realization that my sense of social and historical responsibility is self-imposed, I realized that I am privileged to live a life that is already to a large extent not determined by history and politics. Going from this, since I am in a privileged position, I have no right to expect that other people take up history, since I really have no idea what it’s like to really live with its burdens. In an email I wrote to the Korean man, I wondered why he just doesn’t limit himself to dating Korean women, since that would spare someone like me, and potentially himself, distress. In light of my realizations, though, it would be unfair to demand that he pass up a chance of being happy with someone, even for a short while, just so he could fulfill a nationally pre-determined life trajectory. Someone like the Korean man might only be able to take Fanon’s statement at face value, and run from history; someone like me has no right to judge, and even less to add to his burdens. Even if analyzing centuries of imperialisms helps me to come to terms with events in my own life, he doesn’t need to be reminded of any of it.

I am not ready to give up on the personal being political just yet, though. Despite what I just said about how overanalyzing history might not help everyone, I do hope that the Korean man will be able to see how history has put him in the position he is in; and, while the demands that he settle down with a Korean woman and produce pure-blooded children is outdated, it is not so unreasonable given everything his country has been through. In short, I hope he forgives his family, his society, and history in general. This might lead him to accept his position and make the most of it; his happiness and his reponsibilities are not mutually exclusive.

As for myself, perhaps I need to take on extra social and historical responsibility because I now recognize that there are people who are really not in a position to do so, and as I have tried to show, it helps with forgiveness. I want to end on a positive note, which is why my relationship with the Korean man is so significant to me for social and historical reasons. Although my relationship with the Black classmate didn’t work out last year, I derived from it a new standard, which is that relationships I have should not just be about two people; it should have some larger social or symbolic significance. As I have said, in that case it was bridging two ethnicities that don’t want to have anything to do with each other. In the case of the Korean man, the larger social significance relates to the historical events in Asia that I have described. As someone who is in Asian American studies and who has been taught that coalition among various Asians in the US has been a heroic way of combating discrimination, it saddens me that Asian countries all hate each other for various reasons.

Unfortunately inter-Asian solidarity is a long way off. No one likes Japan for what it did in WWII and its continuing denial of WWII atrocities; in January, PM Shinzo Abe visited the shrines to pay respect to WWII casualties, including war criminals, which triggered waves of outrage from China and both Koreas. South Korea holds a grudge against China for imperialism in ancient times and for participation in the Korean War, and China has even recently launched “research projects” (http://en.wikipedia.org/wiki/Northeast_Project) that suggest that certain Korean territories should belong to China. Japan sees itself as more civilized than other Asians and sees itself as aligned with the West (John Lie’s book, Multiethnic Japan, shows how Japan has disavowed connections with other Asian ethnicities). China is still sunk into Sino-centrism and believes that it is fountainhead of all Asian culture, and that its own culture is somehow more valid, which causes resentment. It is also passing down a chain of oppression by citing “national humiliation” from foreign encroachments in the beginning of the 20th century as a reason it needs to “self strengthen,” screwing up its own populations in the process and encroaching on smaller neighbours like the Philippines and Vietnam. Finally, right before I told my father that the Korean man and I were going to try a relationship, he sent me an article saying that recent historical research in China has uncovered that most of the soldiers who committed atrocities during the Rape of Nanking were Koreans; I took this to be a bad omen. Anyways, I don’t know if this is true or not, but I do know that Japan drafted Korean men and sent them to other parts of Asia as part of the Japanese imperial army (described in Takashi Fujitani, Race for Empire). In terms of a chain of oppression, I have a twisted understanding of why soldiers in this miserable position might be the most cruel – they couldn’t react against their oppressors, so their only outlet would be to make someone else just as miserable.

I spent enough of my childhood in China to have absorbed some vehement anti-Japanese rhetoric, however I do recognize that anti-Japanese rhetoric is often used by the Chinese government to mask its own failings. I don’t approve of certain US policies or Western imperialism and I don’t approve of how the Chinese and Japanese governments are running their countries foreign policy-wise (I don’t know enough about South Korea to say), and I am very invested in inter-Asian solidarity at a personal level to counteract both Western imperialism and the failings of each individual Asian government.

What I saw in my relationship with the Korean man, other than personal reasons like sharing greater understanding than with almost everyone else I know, was that this was a small act of solidarity in light of the historical conflicts in Asia and the mutual hatred still going on. At the start of our relationship Kim Jong-un had his uncle Jang Sung-taek executed, and there was media speculations that maybe Kim Jong-un would be mad and power-hungry enough to attack South Korea. Since technically China is still backing North Korea, I joked to a friend that if China helped invade South Korea then then we would have to break up. Then I explained that actually if that happened, it would be extra incentive to stay together, as a small measure to counteract international conflict. The personal doesn’t seem that political, it is true; but just like the argument that if everyone in the world diligently recycles, the environment might improve a bit because of it, then if every Asian person became friends and family with another Asian of a different country, maybe there would be less ignorance, lesser tendencies to buy into propaganda, greater tendencies to admit past wrongdoing, and greater tendencies to forgive.

In addition, when I decided that I could continue the relationship, one consideration was Chinese imperialism and its tribute system in ancient times (crazy person / overthinking alert). My mother told me about the colleague who dated a Korean woman for 8 years as a warning of what would happen to me, that I would “give my best years” to someone who ultimately would leave me. I thought about it and came to terms with it, because this is an element of the personal being political. I believe karma and that poetic justice exists in life, and both of these are continuous between individuals and the societies they live in. That is, I believe that both the virtues and the sins of a society are visited upon the individuals of that society, and that these individuals should both reap the rewards of their society’s virtues and bear responsibility to address the sins their society has committed. Eg. I consider myself Canadian, so along with benefiting from a free k-12 education and a subsidized public university education, I also accept that a First Nations student might have lower grades than me and still get into a university that I can’t get into, because that is addressing Canada’s past sins (whether affirmative action is the best way to address past sins is another topic entirely).

I still consider myself Chinese, so if historically China has relegated Korea to tributary status, possibly interfered with its succession, and is even now pushes its boundaries, then maybe it’s some kind of distilled karma, or poetic justice, that I do end up “giving the best years of my life” to a Korean man. This would be true especially since he is so burdened by the demands of his family and society, which I understand are the result of all these historical processes I have described. Even if the relationship is temporary and the end inevitable, it would still mean that I would be helping to delay the culmination of the effects of various colonialisms and nationalisms on a personal level, and I might have helped him heal from the toll these historical processes have taken (not to mention him helping me heal from the tolls historical processes have had on me). Sadly, I arrived at this conclusion a few days too late, and ultimately I didn’t need to and didn’t get to give him anything. Given the distance and silence on his end I don’t think I ever will. A large part of why the ending of the relationship devastates me so much is because I am unable to make an intervention in historical inequalities and ongoing social conflicts by having this relationship (and if I sound too academic and abstract, yes, I am saddened by the end of the relationship for normal, personal reasons too).

My house mate jokingly asked if I would ever date another Korean man, and I said that on the contrary, I might keep dating Korean men until something works out. I wouldn’t go that far, but I will carry forward the awareness that my life and social/political/historical issues are connected. As with the overthinking, this could be a good thing or a bad thing; I am taking a course on Transpacific history right now, and my university is running a film series titled “Transpacific Intimacies.” Because I linked my life to broader historical forces, sometimes class discussions and emails telling me about the films can trigger hours of gloom that my own transpacific relationship didn’t work out. It also doesn’t help that the class is in a conference room in the East Asian Library, which constantly reminds me that East Asians should be counting on their similarities, but in my life it didn’t work out. Anyways, I hope that with the insight I have worked out through this post, the gloom will eventually turn into an incentive to dedicate myself to my studies; certainly a lot of the concepts I am learning is helping me come to terms with misfortune, and I haven’t even touched on how my other more philosophy-based class is helping me think about interpersonal relationships in general. And with the personal being political, I can make an academic intervention where I failed to make a personal one.

Doctor Who and Ethnicity, Part I: Race and the cultural embeddedness of Science Fiction

At the end of May, there was a controversy surrounding British television series Doctor Who, due to the impending publication of a collection of academic essays titled Doctor Who and Race.  Since the volume is out now, I expect the issue to open up again.

This controversy brought out a lot of things I have been turning over in my head since I started watching the revived Doctor Who.  Anyways, the press picked up on essays in the collection that describe Doctor Who as propagating British imperialism, being dismissive of Black characters, and demeans cultures that are not industrially developed. Fans of Doctor Who got offended, and the BBC defended itself by saying that Doctor Who is especially committed to colour-blind casting and depicting all of humanity (and since this is a science fiction show, all potential life forms) as equal. The editors of the collection responded to this controversy by reminded fans and the media that not all the essays are critical of Doctor Who.

This Part I will deal with analysis of the episodes’ representations of race and ethnicity, as well as representations of British culture, especially British ideas of tea and Asians. The controversy also has a few instructive lessons on science fiction, media in a global context, and the relationship of academics to everyday life, especially popular culture, and that will wait til Part II (I wanted to post all of it together, but seeing as the essay collection is published already, posting asap on the issue seems important. And also it will cut down the length). Here I will discuss what I have seen of Doctor Who (henceforth DW) but will also briefly talk about a couple more scifi shows: Fringe, Firefly, and, uh, Doraemon, just to put things into non-Western perspective. Most of it will be about race and ethnicity, but some of it will be about gender, sexuality, and cultural consciousness in general, because constructs of race and gender and sexuality are part of cultural consciousness.

This post is NOT meant to be a summary or review of the essay collection, and it was written without having read any of the essays in the collection. Rather, this is what I might have written if I were a contributor to the collection, as a way to think through the issue on my own before reading about other people’s opinions. I’m sure many points below have already been touched on in the essays, and I don’t claim to have thought of them first or anything. Actually many of the issues of Doctor Who and race have already been debated in the media, just not the the extent that they have recently with the publication of Doctor Who and Race.


Bit of a pre-amble on the issue, and on scifi, below

I. Black characters in Doctor Who: Martha Jones, Mickey Smith, and recent minor characters

II. Cultural embeddedness: British culture and conceptions of Asia (plus a bit on Fringe, Firefly, and Doraemon at the end)

(Sorry, no underlining or italicising for titles as per MLA guidelines. My browser crashed several times trying to post this so I’ll neglect the unimportant stuff.)

Similar issues of scifi and race have already come up in relation to Battlestar Galactica (my post here), whose themes involved race and ethnicity more directly than Doctor Who. However, Doctor Who is a children’s show, which means that the BBC, academics and fans might all be more invested in its representations. It is more an educational tool that might make children more or less tolerant of aliens, whether they be the extra-terrestrial type or the resident immigrant type. I think it is not difficult to see the former as an allegory for the latter in scifi. Science fiction (speculative fiction in general) can do something that general fiction can’t, which is allegorize current earth-bound ethnic relations with an expanded universe of humans, aliens, cyborgs, etc, a context in which the immediate practical interests of one ethnic group (usually ours) can be set aside so as to better deliberate morality (also usually ours). Hence, scifi is a great place for self-reflexivity without people getting angry and defensive. As for the distinction between scifi and fantasy and which one has potential to do this better, I’m not equipped to answer this, though comments are as always welcome.  So first off, I’m re-iterating that scifi shows like Doctor Who and controversies they might generate are very important and should not be brushed off as the purview of a few nerds or a few academics angrily punching at their keyboards. Though, in the spirit of self-reflexivity, I’m a nerd and an aspiring academic, so my estimation of the importance of Doctor Who and its controversies might be an over-estimation. More on that later.

One last thing:  I believe that the essay collection deals with both the older run of DW and the revived one starting 2005. That might have been where some of the confusion arose that lead to controversy – the 1960s had different takes on identity constructs like race, and academics who were critiquing those older series might have been reported by the press as critiquing DW in general. I’ve only watched the revived one, so I will be evaluating what I think of that one. Although, after the latest season finale, “The Name of the Doctor,” I was in DW withdrawal and tried watching the very first episode. In this episode, the first Doctor compares the Susan’s teachers’ incomprehension of the TARDIS to “savages” who cannot understand a train. So, I stopped watching.

I. Black characters in Doctor Who: Martha Jones, Mickey Smith, and recent minor characters

As with most controversies (eg controversies about Hetalia, here), I can see this issue of Doctor Who and race both ways, that is I can find a number of examples which support BBC’s statement that DW is colour-blind and committed to ethnic equity, and on the other hand I can also find a number of examples that support the academics’ analysis that DW is imperialist and Black characters are not treated with respect. And because I’m Asian I can find examples of Asian characters that land on both sides of the argument. And aliens. Here goes.

As BBC states, Martha Jones and Mickey Smith. Martha is definitely a good example of where DW handles race pretty well. As a character, she is knowledgeable med school student, resourceful companion to the Doctor, and I would say a resilient and wise woman at the end of her journey, recognizing that her life cannot always revolve around the Doctor (especially since he doesn’t return her affections), continuing work for UNIT and helping to save the universe at the end of Season 4.  I don’t think she is a stereotype of Black women, especially since she isn’t particularly sexualized. At least I don’t see it – Rose and Martha, and more recently Amy, all had their fair share of revealing outfits and not. Donna is slightly older and temps at offices, so she’s out of the comparison.

Parts of the story that happens around Martha are also well-handled. One alternative to putting up ethnic stereotypes in the media is to put up ethnic minorities who are “just ordinary people” or characters who obviously go against the established stereotype, eg a Chinese person who’s not good at math, or an affluent, meek, and law-abiding African American. However this approach has also been criticised because at times it does run against realism. In the case of math it’s not so important, but the argument is that an affluent, meek and law-abiding (let’s abbreviate this set of traits “AMLA” for now) African American eclipses thousands of African Americans who live in poverty, develop resourceful solutions to survive, and have the law constantly on their backs, through no fault of their own, a social situation that the AMLA African American character seems to have transcended through the American favourite of pulling himself up by his bootstraps or somehow achieved without explanation. Anyways, the point of that detour was that sometime characters are not stereotypes but they can still be problematic if they totally ignore race or the realities of ethnic inequality.

DW 01

This issue has come up for the 2-parter “Daleks in Manhattan” and “Evolution of the Daleks” (S03E4-5)where the charismatic leader of the 1930s New York destitutes living in Central Park’s Hooverville is an African American man named Solomon (above). I remember reading praise for his character, but with someone commenting that realistically an African American man during those hard  times would hardly have been elected leader. Personally I agreed with this one – he would probably have been seen as competition by the White working class and chased out of Hooverville. But anyways, the response to this criticism was that a scifi show that puts Daleks in Manhattan in the 1920s hardly needs to follow historical accuracy on other fronts. I can also see the point of this argument – why only speculate about the future in scifi? Though, since the two episodes also focuses on how the Daleks can potentially change their racist doctrine, there could be a corresponding change/development in the human community going from intolerance of an African American leader to an acceptance. That would probably have made the episodes too complicated, so settling on humans already achieving ethnic equality is probably the next best thing.

Anyways, with Martha in DW, she manages to go against stereotypes of Black women and her part in the story generates race-related situations or at least anecdotes. A favourite would be the 2-parter story “Human Nature” and “Family of Blood” (S03E8 and 9), where Martha is posing as a servant for the human-ized Doctor as they stay in a boarding school in 1913, hiding from aliens hunting the Doctor, who are tracking him by sensing his Time Lord essence. Martha faces outright racism and dismissal from the students at the school and other staff (one nasty student asking her how she can tell if anything’s clean with dark skin, the matron telling her that a woman can never be a doctor, and even if one day they can, “hardly one of your colour”), and the townspeople (the war veteran at the community dance event telling her to use the servants’ entrance). The general tone of these episodes is that the matron’s understanding is limited despite her good intentions otherwise, and the boys can be just plain evil, and children should not be like them. Aside from these two episodes, as a fan I loved how she was the Dark Lady of Shakespeare’s sonnets (though Sonnet 18’s dedicated not to the Dark Lady but actually the Fair Youth, but never mind), but with an accompanying facepalm from both her and Doctor that Shakespeare’s names for her (Blackamoor, Ethiop girl, Queen of the Afric) are “political correctness gone mad” (S03E02). For me this would teach children a far more subtle lesson than “negative stereotypes are bad.” It also potentially teaches children that even positive stereotypes are bad and that trying too hard to make up for stereotypes with political correctness can also derail.

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On the other hand, I think there are also problems with Martha’s character. To be fair, she is not defined by her unrequited love for the Doctor, and it is understandable that he has just lost Rose, however I was still uncomfortable that a non-White female character spending a lot of time onscreen pining after a White man, which is what the Doctor looks like even if he’s not human. This visuality makes a difference:  during “The Shakespeare Code,” when Martha is concerned that she might be carted off as a slave because she’s Black, the Doctor responds first with incomprehension and then “and I’m not even human. Just walk around like you would any other place. It works for me” (image above) This seems to be logical except that the Doctor can walk around with the privilege of a white man because he looks like one, but his attitude that his strategies of passing would work for Martha is rather presumptuous. To make an extreme argument, it’s almost having your cake and eating it too – having a certain degree of otherness to the Doctor to suggest that the show is tolerant towards otherness, without actually having to address otherness because people don’t perceive him as other. Granted,” The Shakespeare Code”‘s main theme is about the power of words and stories, which I find well conveyed, however it does seem implausible that Martha could walk around Elizabethan England without getting harassed. After all, Othello is the “Moor” of Venice, not London, and if I remember my undergrad Shakespeare classes,  Italy’s place in the Elizabethan English imagination was kind of an exotic hodgepodge that was exotic precisely because it wasn’t like England. Also, I understand that the Doctor’s first reaction of confusion might be to mirror young audiences’ surprise about slavery if they don’t know about it already, but for the Doctor, who has observed and participated in all of human history, to not know about the slave trade is also implausible. This issue could have been taken care of by the Doctor recognizing that Martha’s skin colour poses a danger to her and then using a perception filter on her so that people around them won’t really recognize that she’s Black. This won’t even impact how Shakespeare sees her, since he could see through the psychic paper’s trick.

And then there’s Mickey. Some people believe that the first Black companion is not Martha but Mickey, so he has that going for him. However I have a feeling that the “dismissal attitudes towards Black companions” that the press says that the academics have seen in DW might be about Mickey, because the Doctor is really not very nice to him to start with. For example, in the pilot episode “Rose,” the 9th Doctor doesn’t seem to really care whether Mickey’s been killed by the Nesteen consciousness or not, and when Rose finds him alive and runs to help him, the Doctor sort of rolls his eyes. Though the Doctor sort of has a dismissal attitude of 20th and 21st century humanity in general (“these stupid little people have just learned how to walk”), he especially likes to, well,  to use British English, to take the mickey out of Mickey. In S02E03, as the Doctor, Rose, and Mickey investigate a school for producing record student results, Mickey stumbles into a closet full of vacuum-packed rats and screams, and the Doctor accuses him of screaming like a 10-year old girl with pigtails (don’t even know why that’s relevant). Anyways, at first Mickey’s character is, as he puts it, the tin dog of the group (a reference to him having a supporting role like the robotic dog K-9, in the same episode), and in S0S04, when Rose objects to the Doctor wanting to keep a horse that has stumbled into a spaceship, the Doctor replies, “I let you keep Mickey.” So Mickey is likened to a tin dog and then a pet horse.

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Moreover, his character is often the one providing comic relief, for example in S02S04, while Mickey, Rose and the Doctor are on a spaceship, we see Mickey through the ship’s cameras where his face is distorted to look comical. Rose: “You’re not keeping the horse!” Doctor: “I let you keep Mickey.”.  Since there is a long history of Black characters used as comic relief (or, in other words, laughing at Black people), such as blackface minstrelsy, Mickey as comic relief is just repeating a stereotype. Incidentally, I learned just last year that the character of Mickey Mouse has roots in blackface minstrelsy, which explains the white part of his face around his features. I’m pretty sure the Doctor calls Mickey “Mickey Mouse” at some point, and the writer, actors, and production team on that episode probably had no idea about Mickey Mouse’s origins. Anyways that just makes Mickey’s representation in Doctor Who a little worse.  He does comes to his own in Season 2, staying on to clean up the mess of the cybermen, and again at the end of Season 4, so arguably the earlier quips about his uselessness are in place to accentuate his later character development. However, arguably you can have character development without the characters being a laughingstock the begin with, examples being Rose and Martha. Again, Donna’s sort of out of comparison because Catherine Tate is a comedian to start with .

Also, returning to a problem of romance similar with Martha, he’s basically a Black man losing a girl to a White man. Not only that –  at the end he ends up with Martha, and despite Jack Harkness’s sexual flexibility covering all genders and all life-forms, we don’t even get any interracial couples at the end. Personally I feel that his relationship with Martha came out of nowhere – we see Jack, Mickey and Martha walking off, and the next time we see Mickey and Martha they’re married. Granted that as both ex-companions and experience fighting hostile aliens, they have a lot in common, however I can’t see their personalities meshing and there was no development in this regard. I suppose an argument is that BBC left it up to fanfiction writers.

Another argument would be that the show needed comic relief, and since you can’t laugh at main characters like Rose or the Doctor, you go to the next-of-kin and laugh at Rose’s boyfriend Mickey and at her mother Jackie. And Jackie is White, so it’s not like the show only uses Black characters as comic relief. And the BBC just happened to cast a Black actor as Rose’s boyfriend. And Martha’s unrequited love for the Doctor isn’t because she’s Black and he’s “White” but he would behave in that way to any companion that came after Rose, and the BBC just happened to cast a Black actress as Martha. I understand that this might really be the case, however this might reveal a problem about colour-blind casting. Similar to the problem of race neutrality not reflecting or making up for real world ethnic inequalities, colour-blind casting can be a problem if it really is blind. Colour-blind casting, meaning that casting directors don’t consciously slot actors into ethnic stereotypes, implies that things will come out balanced. However, decisions can be unconscious and require colour consciousness to balance them out. What if the casting directors, influenced by a history of Black characters as comic relief,  unconsciously chose Noel Clarke as “best” for the role of Mickey because he was Black? I’m not saying that’s the case, I’m just taking issue with the BBC’s implication that colour-blind casting is a solution to ethnic problems in casting.

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And starting in the 5th season with Steven Moffat as the showrunner, there aren’t any significant recurring characters of non-White races, however a few minor characters can be important to comment on. First, in the second episode of Season 5 we have a future Queen of England, “Liz 10,” who is played by Sophie Okonedo (above). Since the wedding between Prince William and Kate Middleton just went by last year, there were some comments that for the first time, someone in the British royal family was marrying a “commoner.”  Liz 10’s possibly mixed-race character implies that at some point in the future, someone in the royal family marries a Black person. Since the aristocracy of Great Britain does not have any non-White individuals at present, this hypothetical future Black person would probably be a “commoner” as well.  I’m not sure that the child audiences of DW would necessarily grasp this, but personally I thought this was a bold move to make.

The other three Black characters I can think of off the top of my head, though, don’t necessarily make any imaginative interventions of this sort. First would be Colonel Manton in the Season 6 mid-season finale (S06E07), “A Good Man Goes to War.” I actually thought that Danny Sapani did a wonderful job at giving Colonel Manton a commanding and dignified demeanor, especially how he restores order among his soldiers after the Doctor sets them against each other, however that comes to nothing as he’s on the “wrong side” (fighting against the 11th Doctor) and the Doctor goes on a rare angry rant about how he wants Colonel Manton to be known as “Colonel Runaway” in the future. Then there’s River Song’s previous incarnation, Mels, played by Nina Toussaint-White. There was a lot of praise from the press about how Touissant-White brought life and energy to her character, and I agree, however I’m bothered by the association between her character and crime and misbehaviour, basically all through her childhood, mouthing off to teachers, stealing cars, etc, with Amy needing to get her out of jail at one point (below). Going back to the Russell T. Davis era, I was thinking of the Black family in S02E11, “Fear Her,” where mother isn’t exactly sorry that her husband has died because he was abusive to both her and their daughter, and part of the story is the daughter trying to move on from the fear of her father. I understand that River Song was brainwashed and trained to become a psychopath so she could kill the Doctor one day, however it is at this kind of juncture that colour-blind casting needs to be actively rethought. Toussaint-White is a powerful actress and great for a pre-Doctor River Song, and colour-blind casting would cast her instead of casting a White person (which would maintain continuity with River Song). However, do we want to cast a Black actor as a teenage psychopath, when Black people are already associated with crime? Similarly,  for “Fear Her,” do we want to associate Black people with domestic violence and dysfunctional families? To me Colonel Manton and teenage Melody Pond are instances where the Black actors performed wonderfully in their roles, but were limited by how their roles were written, and I don’t know what the writers were thinking of in “Fear Her.”

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Leaving race aside for a moment – I also think that there is a problem with gender in Doctor Who, despite the inclusion of strong women like River Song and Martha Jones. It seems that people who fail to be “the best of humanity” have often been women in recent years, and not because they were indecisive or passive. For example, Harriet Jones, who blew up the Sycorax even though they were retreating (Christmas Special between seasons 1 and 2), Ambrose who murders a Silurian soldier (who was also female, while Ambrose’s father and husband were sort of the hapless sort), and Miranda, who sparks conflict with the Flesh in S06E5-6. While many of the minor male characters were just hapless, these women seem to be portrayed as failed humans precisely because they were too opinionated and too ready to act. Also, I’m still not sure about Amy’s character. Despite being feisty and strong-willed, she often doesn’t actually contribute to solving the problem. This bothers me, but I haven’t thought about this as much as I thought about race and ethnicity.

II. Cultural embeddedness: British culture and conceptions of Asia (plus a bit on Fringe, Firefly, and Doraemon at the end)

Another complaint from the essay collection was not necessarily about race per se, but about how Doctor Who situates itself relative to culture. Something about the Doctor loving cricket being an indication of the show’s British imperialist tendencies? Again, the book just being released means I’m not sure exactly how the argument goes.

Cricket doesn’t show up a lot in the revived series, however tea certainly comes up a lot as a signature of British culture. Something like this is what makes DW a very British scifi show, because even though Americans drink tea, it’s not such a part of American culture that it needs to be repeatedly mentioned, even to laugh at it. To be fair, in whatever context cricket came up, tea comes up ironically as a way to laugh at how British people seem to think that tea is the solution to all physical and psychological ailments. For example, Rose’s mother brings tea on board the TARDIS during the Christmas special, while the new 10th Doctor is still unconscious from regeneration. Mickey comments, “Tea. We’re having a picnic while the world’s coming to an end. That’s very British.” However tea ends up being exactly what the Doctor needs to regain consciousness, so its therapeutic value seems to be restored at the end of the episode. This contributes to the same issue mentioned earlier, that the Doctor is non-human but this total otherness is gotten around by his appearance being that of a White man. In this case, while his biology is non-human, this is gotten around by him actually needing tea, making him more like “us,” or more like the British. Especially since that the Time Lords are life-forms superior to humans (technologically, of course, but also cognitively, in that they can sort of see all of space-time laid out before them, and also biologically, having 2 hearts and able to cheat death a certain number of times by regenerating), basically in having tea being what the Doctor needs is having a part of British culture being validated by a superior alien culture. If Cricket is associated with British imperialism, I can’t think of any current food component more embroiled in imperialism and colonialism than tea. Maybe coffee, or tobacco. Or bananas… or cotton…well actually a ton of things, which is actually quite telling of how Western culture has gotten to where it has. Anyways, why tea is so British isn’t interrogated, just that Time Lords need it too and it does have therapeutic value despite jokes being made about it.

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Another time that tea comes up in the Moffat era is in S06E11, where the Doctor, Amy and Rory are pulled into a maze-like place that looks like an 80s hotel, with other people trapped inside. One of them is Rita, who seems to be a medical school student or a nurse, and who identifies as Muslim. First of all, I really do like her as a character and I think audiences are meant to, as when the Doctor seems to evaluate her as a potentially more resourceful companion than Amy and tells Amy jokingly that she’s fired. Her identity as a Muslim is also handled well, as when the Doctor guesses that she’s Muslim, she jokes, “Don’t be frightened.” Her strong Muslim faith is also figured strongly in the plot, as it helps her accept her demise in a dignified manner (I suppose, though, her faith is what gets her killed, though every kind of faith gets people killed in that episode, so it’s not like the story was hinting that being a Muslim would make someone especially in danger of getting killed). Anyways, as everyone is running around confused and terrified of a minotaur-like creature, Rita offers to help everyone calm down with tea, and also says that “I’m British. It’s how we cope with trauma” (above). I find this slightly at odds with her identifying as a Muslim. Obviously I’m not saying that Muslim people don’t or aren’t supposed to like tea, and I’m also not saying that there can’t be hybrid identities. However I find it a bit of a mystery why a devout young Muslim woman would necessarily subscribe to the specifically British culture around tea. If she thinks that the hotel is Jahannem (something like Hell in Islam) and her faith is powerful, why would tea still be what she uses to cope with trauma? Or, in other words, tea seems like a universalizing component of British culture in this episode, again without interrogating its associations with imperialism and colonialism.

To return to Shakespeare for a moment, it’s obvious to see that the literary figures featured in Doctor Who are often the canonized White people, such as Shakespeare and Charles Dickens. I suppose Agatha Christie was a good choice as a woman writer of genre literature, but we’ll never see the Doctor and his companion visiting, like, Salman Rushdie or something.

Otherwise, in general I do find the new Doctor Who rather Britain-centric (though one thing I find more accessible about the Steven Moffat era is that it focuses less on Britain ), and this comes up when it makes quips about Americans. I’m all for people making quips about Americans in other media because so much of global media is controlled by Americans, but anyways. First, during the same Christmas special with all the going-ons about tea, the Sycorax are on the verge of invading Earth and Harriet Jones, prime minister of Great Britain, gets a call from the president of the US saying he wants to take command of the situation, which she responds to with “He’s not my boss, and he’s certainly not turning this into a war.” In the first episode of Season 6, where the Doctor lands in President Nixon’s office but is confident that he won’t be shot, River Song  runs out of the TARDIS to remind him that “They’re Americans!” The implication is that Americans are a violent culture and the British are not. However, given Harriet Jones’s actions at the end of the episode, where she orders Torchwood to fire on the Sycorax ship when it is retreating, puts this into doubt. Of course, the Doctor disapproves of her actions, and the audience is meant to as well. However there remains something of the tragic hero in Harriet Jones, as her decision to fire on the Sycorax ship comes from the conclusion that humanity needs to show the universe that it can defend itself, even without the Doctor, which in of itself is a valid conclusion. She also sacrifices herself to defend Earth from the Daleks at the end of Season 4. Given the quips about American tendencies for violence in DW, Harriet Jones’s actions are represented as a  personal failing rather than a cultural one. However, given real life situations like Tony Blair buddying up with Bush for military action in Iraq, it’s pretty obvious that one human culture, especially those in industrialized Western societies,  isn’t significantly more pacifist than another culture. Maybe Canadians. Anyway, an extreme argument could be that DW is erasing a history of British violence by displacing it onto Americans, while rationalizing it as needing to teach children about pacifism.

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Personally I wouldn’t go so far, but what disturbs me more is how Harriet Jones assumes that she could speak for Earth, if the President of the US is not fit for this job. When the Sycorax asks for the leader of Earth, she steps forward, despite 1/3 of all of Earth’s population being hypnotized (more or less) by the Sycorax. When she is teleported onto the Sycorax ship, she is given the choice of having the 1/3 of the human race kill themselves or having 1/2 sold into slavery (above). All through this process, there was nothing like “Earth doesn’t work this way” or “I need to consult the leaders of other countries first.” Saying so wouldn’t even have changed the plot, as Rose and the Doctor are also teleported onto the ship soon after and the Doctor takes over the situation. In addition, Harriet Jones characterizes the Guinevere I space probe as  “This country’s limitless ambition, British workmanship sailing out there among the stars,” and I have a feeling that the audience is suppose to agree at this point.  To me this is still the remnants of British imperialism at work – the space probe can be seen as a 21st-century equivalent of ships from Europe in the “Age of Discovery” in the 15th and 16th centuries. And if it finds any alien life forms, Britain will speak for Earth, thank you kindly.  Thankfully DW isn’t like this all through the other seasons, though. In S05E09, when miners in Whales stumble upon a civilization of Silurians under the Earth’s crust (Silurians are evolved from lizard species in prehistoric ages rather than from mammals like humans were, and went into hibernation because they believed that an asteroid was going to destroy Earth), the Doctor says that he doesn’t represent humanity but Amy Pond and Nasreen Chaudhry are good representatives to bargain with the Silurians about how to potentially share the Earth. It was nice to see that while saving the Earth multiple times, the Doctor here doesn’t presume that he could represent human interests. (As a way to apply this scifi story to current events: as of writing this, we are still in the midst of the Edward Snowden issue. Apparently one of the arguments against him was that it was unconstitutional for random 29-year-olds to decide what national secrets to reveal, but supporters of Snowden argue that the American Constitution ensures that lone dissenters still need to be heard even if they are average folk.) This doesn’t mean that everything’s right with this episode, though. Amy’s solution for sharing the Earth was to ask the Silurians to live in areas that are uninhabitable for humans. While I’m sure the Silurians have terraforming technology or something along those lines, Amy’s assumption that they could survive in those places humans can’t is strange, especially since the underground environment resembles a rain forest. More importantly for race and ethnicity though, asking the pre-existing Silurians to live in the Sahara Desert it sounds disturbingly like exploiting the land’s resources while herding Native North Americans onto reservations. Being British, perhaps the Doctor Who team didn’t pick up on this similarity.

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Going back to race and ethnicity, though, it is interesting to see that the representation of race and ethnicity in DW is also very embedded in British specificity when we look at how different Asians are represented. First of all, while there are more South Asians (including an Indian Space Agency in “Dinosaurs on a Spaceship” (S07E02), Torchwood scientist Rajesh Singh in the finale episodes of the 2nd season, Solana in S04E02, the housekeeper Miss Chandrakala in S04E07, Nasreen Chaudhry in S05E8-9, and perhaps also Rita in S06E11 and Martha’s colleague in S03E01) there are very few East Asians. I can only think of 3 characters in all 7 seasons of the new DW, which is Toshiko Sato from Torchwood before Torchwood was a show (in  S01E04), Lorna Bucket in S06E07 , Alexei in S07E06. Lorna Bucket is a soldier in the army of the Church in the future (which is something I often wonder how Christian critics of Doctor Who would handle), and she looks mixed race and the character isn’t from Earth, so that was a nice inclusion. However, Alexei is a computer tech guy, and Toshiko is a lab technician, which seem to be instances of rather stereotypical casting.  I’m not necessarily criticising the lack of East Asian characters, not yet anyway, because to me they are just indicative that Britain understands Asia differently from Americans. In North America, if one says that someone is Asian, the listener would most likely think of East Asians first. However, Great Britain used to hold imperial power in South Asia, and India, Pakistan and Bangladesh are still a part of the Commonwealth, with and so South Asians might be more familiar to the average White British person than East Asians. (However, from a quick look at a poll reported on Wikipedia’s page on England, there has been an increased number of Chinese immigrants.) Leaving aside DW for a moment, I remember reading The Grey King (by Susan Cooper, published in 1975 and set in Wales) in elementary school and feeling very glad that a character criticizes some children for calling new South Asian immigrants “Pakis.” So, without a lot of knowledge on the issue, I’m going to tentatively say that the representaion of South Asians in British media is, if not decent, at least prevalent.

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The relative distance of East Asia to Britain does become a problem, however, in an episode like S04E10, “Turn Left.” In this episode, the Doctor takes Donna to a planet ostensibly inhabited by future descendants of Asians, most likely Chinese (above), where Donna gets her fortune told. However the fortune teller actually sics a giant beetle-like creature onto Donna to eat away at her past. I found this episode rather offensive to East Asians for multiple reasons. First is the architecture of the planet – it is supposed to be a society of the future, however it looks like China in the 1600s (there’s even one extra with a queue). This represent a common complaint about non-Western cultures in scifi, which is that while Western cultures are imagined as continuing to develop technologically, non-Western cultures are imagined to be distinct only by virtue of their traditions, and hence even in the future they look traditional. Another point related to this is that the brief street scenes in the episode show Donna and the Doctor being offered various foods and items from merchants in charts. Basically, in addition to the inability to represent Asian-specific modernity (and futurity), this episode also shows the inability to imagine Asian culture as something other than a tourist economy offering stuff to White visitors, which is probably what tourists in Asia see, Or the inability to imagine an Asian society that doesn’t look like a Chinatown, which has developed a tourist economy for sustenance. Third, the whole fortune telling thing recreates the figure of the mysterious and inscrutable Asian, again based on some sort of tradition, plus a dose of threat as the fortune teller is trying to prey on Donna (below – and this is the fortune teller’s expression for most of her appearances. Another example of good acting but limited by the part).  Fourth, speaking characters all speak with an accent. The TARDIS translation matrix translates Latin into English without a Latin accent in S04E02, “The Fires of Pompeii,” so I’m not sure why an “Asian” accent remains in “Turn Left.” And that Pompeii family is made out to resemble a contemporary generic Western family too, with the husband going for class mobility and buying big art to show for it, a slightly emo teenage son, sibling rivalry, etc. No such similarities for Asians.

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This was just one episode in Doctor Who, however I see this kind of representation of East Asians elsewhere. In Sherlock, also run by Steven Moffat (together with Mark Gatiss), the second episode of the first season had Chinese tea sets in the British Museum, mysterious symbols related to international underground trafficking, and Chinese acrobats/ninjas/triad members who perform cruel and unusual means of torture on Watson’s girlfriend. Despite the Sherlock series being very smart, the thoughtlessness of Asian representation in this episode dumbed it down ideologically. Similarly, in the League of Extraordinary Gentlemen (also called LXG, and I mean the comic by Alan Moore, who is British, not the movie, which was Americanized in part by the addition of Tom Sawyer), a large portion of the first volume had to do with Chinese underground activity in the limehouse district of Victorian London, plus an appearance by Fu Manchu. Given the more complex and sensitive treatment of Jekyll/Hyde in the comic and the expanded role of Mina Murray, I was especially annoyed that Fu Manchu wasn’t really altered form his character in the novels and remained a villain played straight, out to take over the British empire. Possibly fuelling anti-immigration debates in England, don’t you think?  This seems to be an inherited image of Chinese people that is particular to the British.

In fact, this idea of Victorian-era Chinese criminals in Limehouse is also in Doctor Who, just not in the episodes. Apparently the character of Jenny Flint, feisty Victorian-era  Cockney girl and accomplice and romantic partner to Madam Vastra, met Madam Vastra while Vastra was saving her from Chinese gangsters (this is from The Brilliant Book 2012, which I read on the DW Wiki). This was the most disappointing instance of bad representation in Doctor Who for me, because I love Jenny and Vastra as a couple, especially since the production team was pushing queer inter-species romance with them (Vastra is a Silurian). Race was even brought up for Vastra and Jenny – in “A Good Man Goes to War,” Vastra quips that mammals all look the same to her, which offends Jenny, and Vastra apologizes. To me this is like addressing stupid comments like “All Asians look the same.” The back story of how Jenny and Vastra meet is disappointing because the they really do seem to be an example of how Doctor Who can transcend conventions related to race and sexuality, until it relies on vilifying Chinese people to bring the two together.

I’m not saying that Americans have a better understanding of East Asians or that it hasn’t had Fu Manchu ideas about Chinese people, but because of the history of indentured labourers, internment, and Asians in particularly professions, America has different stereotypes of East Asians. In addition, because there are more East Asians in America than in Britain, plus having a history of activism around representation, typecasting, and the like, I can’t see an episode like the 2nd one of Sherlock being released without protests or petitions. American television might be slightly better at representing ethnicities because of this, for example Asian characters in Grey’s Anatomy (though I remember reading an essay that said Sandra Oh’s character is the stereotype of the overly technical Asian doctor whereas other White doctors were more spontaneous), Lost having  Kwon Jin-soo and Kwon Sun-hwa. Sadly, two American scifi series I actually watched every episode of didn’t have many Asians in them either, which are Firefly and Fringe. For Firefly this is especially annoying as China is supposed to be one of two world powers. Anyways, obviously this series is very American because its premise is what would happen if revolutionary fighters lost something like the War of Independence, with the good guys still fighting for personal agency and political self-rule.

For Fringe, my main complaint isn’t the lack of recurring Asian characters, but the weird optimism that the show ended on, which I attribute to its American cultural locus. I know it was a rushed ending and the fifth season barely made it on air, but it contradicts what the characters ought to have learned from everything that came before. Anyways, in Fringe, the premise of all the problems is that the fringe scientist Walter Bishop upsets two whole parallel universes because he crossed between them to save his son. At the end of the show, he takes a boy into the future to wipe out the Observers, who are vastly intelligent but emotionless people that humanity develops into some time in the future, which come back to the present day to invade humanity. For me, Walter and everyone else should have learned about the butterfly effect by now, which is that trying to fix a problem could potentially create a larger one, and one should not play God. Hence, I don’t know why it didn’t occur to anyone that trying to wipe out the Observers could potentially create an even bigger problem. The reason I feel that this is very American is that this seems to be how America as a nation operates – it continues trying to right wrongs all over the world even though it has been faced with disasters in the past such as the Vietnam War. America as a nation that continues hoping that it could be the hero, and so the ending of Fringe is with the Fringe team not heeding the lessons of the past and going off to help humanity and be heroes.

One might ask, which adventure story does not end on continuing resistance against domination and heroic optimism? This question does have a point. However, for example The Water Margin, one of the 4 Chinese classics, actually has rebels co-operating with the government to put down other rebels and all rebellions mostly put down by the end. Although I haven’t read any academic articles about this, I do believe that one reason this story is propagated by the Communist government is that it both lauds resistance against corrupt bureaucracies, which the Communists in China began as, and simultaneously lauds the ability of a government to pacify rebellion by using rebellion wisely and staying in power that way, which is what the Chinese government is trying to do. The lesson from this example is not that the Communist party is wrong in promoting literature this way (although I do think it is), but that every culture promotes certain values in literature and often within the culture itself, audiences take those values for granted. Although they might appear to be universal, the values promoted in scifi shows like Fringe and Firefly are very American.

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From these examples (plus the Hollywood adaptation of LXG adding Tom Sawyer) it is obvious that science fiction is very much embedded in the culture in which they are created. Just another non-Western example to make my point – if Chinese people are villains in Doctor Who and Sherlock, then American are the villains in Doraemon. In the story about Nobuta finding a fossil of a dinosaur egg and hatching it with Doraemon’s time-reversing technology, the evil dinosaur poachers who are after  his dinosaur are portrayed to look like bandits from American Westerns. Just like how the DW episode “Turn Left” establishes an future Asian/Chinese culture based on visual cues without saying what Earthian culture it derives from (lol, since there’s a New New York, is this supposed to be New Beijing?), Doraemon also establishes a future culture that resembles Americans without saying they are Americans. So, I’m not sure whether the essay collection on Doctor Who and Race will cover this, but if Doctor Who is racist, it is not just racist but racist in a very British sense.

That’s all for now. I would like to read the collection before posting Part II, so hopefully I can find a copy and get to Part II soon.


Asian Stereotypes in The Big Bang Theory and The Boondocks: The inability of television to multitask with subalterns

I focused my master’s degree thesis on writing about Asian American comics presenting Asian popular culture as a way of ameliorating the image of Asians and Asian Americans, and in the years since, I have started to hope that this is a trend that exist in popular culture more generally. After getting into both The Boondocks and The Big Bang Theory, I have started to notice that even if one cultural group that has been dumped on (African Americans, nerds) is being shown in a positive light, usually the show still needs another group to dump on, and interestingly enough this alternate group tends to be Asians (1). I’m particularly disappointed in The Boondocks – after starting my PhD in American Studies and Ethnicity and learning about studies on inter-ethnic solidarity in America, I have to admit that I don’t really see this happening in popular culture. Basically, whether it’s the Indian character Rajesh Koothrapali in The Big Bang Theory or representations of China and Chinese people in The Boondocks, they are rendered pathetic, evil, or both even as nerds and African Americans get some positive spotlight. (The Big Bang Theory first; if you like, jump to The Boondocks).

The Big Bang Theory

Raj apartment

Raj interrogated by FBI agent, and getting nervous.

Briefly, The Big Bang Theory is about four physics nerds at Caltech and their everyday lives, which involves a routine of work and nerdy hobbies interspersed with lusting after girls (most of whom they can’t get, though at the time of this posting, 3/4 have more or less stable relationships with women). As a nerd who likes games and comics and scifi (even if I don’t get the physics), I have been happy that the Big Bang Theory has sustained itself as a mainstream sitcom. I do find myself getting mixed reactions at the show as a sitcom though – should I be happy that nerds get some TV exposure as relatively more complex main characters, or should I be unhappy that they are the objects of ridicule? I understand, though, that this is a property of the sitcom – the ability to laugh at a figure of fear and loathing may lessen these feelings towards that figure, and so along with laughter the show is able to sneak in nuances that the audience might not be ready to receive otherwise (a good book on this is Darrell Hamamoto’s Nervous Laughter). So, while I feel ambivalent about nerds being featured on a sitcom, I understand that as a sitcom it might need ambivalence to further its point.

However, I believe that a sitcom about nerds doesn’t need to laugh at other cultures to further its point.  First of all, the show dumps a lot on North Koreans, from Leonard’s ex-girlfriend Joyce Kim, who turned out to be a North Korean spy (S3E22), to Dennis Kim, the North Korean prodigy who Sheldon is nervous about in Season 1. It is interesting that they are both named “Kim.” Kim is a common last name in Korean, however purposefully naming two unrelated characters Kim in a work of fiction either betrays an absolute disregard in telling Asians apart, or an attempt to convey their relationship to the current North Korean regime, or both.  Also, since the setting is Caltech (greater Los Angeles area), if there are Koreans on a show about nerds, the most plausible population to include would be the vast Korean American population in LA, however the show doesn’t mention these Korean Americans at all and resorts to North Korean nemeses.

But I want to focus on Rajesh Koothrapali. I can accept that as a recent arrival to the US, Rajesh has difficulties mastering North American popular culture (this is one reason I want to study popular culture academically, because his problem is also my mine, and I think it has real consequences). His faux-pas, such in the S06E11 Christmas episode where he inadvertently speaks sexual innuendos during a game of Dungeons and Dragons, is plausible and I can accept laughing at that as a part of a sitcom. However, there are other aspects of his representation that I find extraneous to the main idea of the show and also troubling / offensive. First, the consistent association of Rajesh with Indian tradition. In his apartment (helpful images and descriptions here): he has a tapestry on his bedroom door, and the cushions with “Indian accents.” As a Chinese person, I can’t speak for Indians, but a young Chinese physics nerd in Rajesh’s situation would most likely not have brush calligraphy or something hanging on his bedroom wall. Even in China this hypothetical young Chinese man would not have calligraphy hanging on his wall.  There’s definitely nothing wrong with tradition or the decorative aesthetics of Asian traditional cultures, but in mainstream media Asians have a tendency to be associated culturally with their traditions only, as if Asians consisted of a rich cultural past but no present and no future. And if they have a present and a future, it’s most likely going to be a Western one. Bollywood and popular culture of South Asia is mentioned but this is often to laugh at it, for example when Howard does an imitation of Rajesh doing drunken Bollywood dancing after getting a the magazine “Bombay Badonkadonks” (video here). The made-up magazine is meant to sound silly and does not reference any real magazine, and we don’t see Rajesh dancing, only Howard doing an imitation of him with the goal of ridiculing him.

Next is the question of Rajesh’s sexuality.  Before Howard married Bernadette, there were numerous jokes that Howard and Rajesh were like a married couple, with Rajesh often in the role of a woman in the relationship (helpful video here with some of the key moments). For example, S3E06, where Rajesh loses his Patang fighter kite due to Howard chasing after a girl during a competition, Howard tries to make up for it by buying Rajesh a new kite, to which Rajesh says “Buying me something pretty isn’t going to make our problem go away.” In this scene, Howard is clearly playing the stereotypical male part who tries to placate his romantic interest with gifts, whereas Rajesh is playing the stereotypical female part who insists on emotional understanding. I am not arguing for a throwback idea of gender roles where men have to be “manly,” whatever that means. However, there is a tendency to believe that Asian men are less masculine than men of other ethnicities, and the depiction of Rajesh contributes to this tendency. In addition, while it can be argued his feminization comes from the nerd stereotype and not the Asian stereotype, as it progresses to Season 6, Rajesh is the only person who doesn’t have a stable romantic relationship (correction: As of Feb 2013, it seems he has a shot with Lucy). In studies of ethnicity, we have talked about “intersectionality” a lot. This is when categories of identity, for example ethnicity, class, and gender, while each having an effect on how a person is treated in society, can have greater / different consequences when compounded together. A classic example is that in a workplace setting, being Black or being a woman means less chances at job promotion, so being a Black woman means even less of a chance at promotion (I think Kimberlee Crenshaw wrote this? But I can’t find it anywhere). Rajesh seems to be an example of how being Asian and being a nerd compounded on each other makes him even more feminized than the rest of the main characters. As he says when “creating a scene” at the end of S5E19, even if he gets a girlfriend, he will be known as the guy who did so after Sheldon.

Finally, somewhat related to the first, are digs at India and the fact that Rajesh is not a “real American.” This is the category that I find the most offensive. In S4E9, Howard’s comment about an Indian version of the board game Monopoly goes thus: “Indian Monopoly’s just like regular, except the money’s in Rupees, instead of hotels you build call centers, and when you pick a chance card, you might die of dysentery.” As if building call centres is India’s own economic initiative, rather than due to Western companies outsourcing and seeking cheap labour. And after all the SARS and H1N1 problems, the last thing audience need to think about Asia is that it’s the origin if the world’s epidemics. Although Howard ends with “FYI, that was racist,” this doesn’t really ameliorate what he said before. The humour is with the insult towards India, and the rational afterword doesn’t cancel the humour. However, the most troubling episode (S4E7)is when the FBI investigates Howard’s friends to find out of Howard is fit to join the Defense Department. Rajesh feels so nervous about his legal status in America that he tries all kinds of antics to prove that he is American (video here), such as singing  “My Country, ‘Tis of Thee.” He doesn’t get the whole song, and the humour in this scene is that first he is not a real American and second he fails at pretending to be one. While his claim that part of his reason for loving America is the “rampant obesity” can be a critique of America,  a foreigner in the US being afraid of the consequences of being foreign should not be a laughingstock. This is the concern of survival for many people in the US, whether they are here legally or not. I have family who was deported from the US based on insignificant reasons (and believe me, my family falls squarely under the model minority stereotype; they won’t even report a crime, much less commit one), and I myself have been interrogated for hours upon crossing the border. This part of the episode made me feel slightly ill. Gene Yang, creator of the award-winning graphic novel American Born Chinese, said in an interview that the stereotypical character of Chin-kee isn’t supposed to an outright figure of humour: “He’s meant to come off the page and slap you in the face. If you’re laughing at him, I want you to do so with a knot in your stomach and a dry throat.” In American Born Chinese, this works; Chin-kee is represented in such an overboard manner that he is definitely a satirical figure meant to mock the ridiculousness of the stereotypes, especially since the end of the graphic novel reveals that he is a disguise. However, Rajesh is realistic enough that he may not be read as a satirical figure, and the laughter in the background of  this episode invites an outright laughter at his distress. As a nerd, I really enjoy watching The Big Bang Theory, but as an Asian nerd, sometimes I’m not exactly on board.

The Boondocks

I have been thinking about the figure of Rajesh for a while now, but what made me finally put finger to keyboard on Asian stereotypes is an episode of The Boondocks. Briefly, The Boondocks is a cartoon, based on a comic strip series, which explore the social issues of race through a Black family, the Freemans, living in a White suburb. The tone of the show is aligned with its central character, Huey Freeman, who is a mature, intellectually complex and politically conscious 12-year old, who must deal with Grandad’s lack of concern towards socio-political issues, his younger brother Riley’s blind adoration of all African American popular culture, the ignorance of their White neighbours (and larger society as a whole), and what he sees as an unmotivated and misled generation of African Americans. I started watching this series because my formative teenage years were spent in Vancouver, which is inundated by Chinese people, and I feel that I need to understand the popular cultures of other ethnicities. Not really having a good in-road to African American pop culture (I confess that I don’t like the sound of rap and hiphop, or any popular music, for that matter – my family grew up with Tchaikovsky and Debussy and the like. I’m not judging popular music to be “base” and classical European music to be an epitome of culture; as a student of pop culture, I actually think the reverse. But due to my upbringing I don’t find pleasure in popular music and I don’t understand its aesthetics), I decided that a cartoon is probably the best place to start, especially since the creator, Aaron McGruder, has sometimes described it as an anime. So far I have enjoyed it, since not many cartoons (or any fictional series, for that matter), tries to handle social commentary about ethnicity.

Some of the ambivalence I feel about The Big Bang Theory I also feel about The Boondocks, though I didn’t expect the cartoon to be so critical of African American culture. I cannot judge whether the criticisms are true, for example the attacks on BET for purposefully trying to make African Americans stupid, but if the audience is not African American, the show might perpetuate stereotypes of African Americans as stupid. But anyway, I’m not going to discuss this matter since it’s not something I know much about. I want to discuss how the series represents Asians, with a focus on S3E04, “The Red Ball.” I had hoped that being influenced formally by anime, the series would exhibit thematically a confluence of concerns of people of colour, and by and large, I was disappointed. Thematically, the series cites Asia mostly in terms of martial arts, with the character of Bushido Brown as an epitome of cultural fusion in this regard, as evidenced by his name. I could argue that The Boondocks stereotypes Asians by reducing them to martial arts figures, but compared to what happens in “The Red Ball,” the “Asia-martial arts” association in The Boondocks is less significant.

Boondocks 2.0stinkmeaner

Stinkmeaner looking up at Satan (presumably)

The first episode where alarm bells came on was the Season 2 episode “Stinkmeaner Strikes Back.” A neighbourhood terror, Colonel Stinkmeaner, had been accidentally killed by Granddad in Season 1, and in this episode, he trains in Hell and comes back to take revenge on Granddad. There is a sequence showing Stinkmeaner training in Hell. Given that the series focuses on martial arts a lot and has beautiful fight sequences, I can accept that Stinkmeaner training in Hell would involve martial arts. However, what I don’t understand is why Hell has Chinese architecture, or why Satan (I’m assuming it’s Satan) is wearing traditional Chinese clothing. Stinkmeaner can be said to have no racial/ethnic politics –  that is, he’s not like Uncle Ruckus, who has internalized White supremacy and hates everything Black, but rather Stinkmeaner is mean towards everyone – so arguably, his evil has no racial implications. But I read martial arts in The Boondocks as providing a kind of agency, a set of skills that Huey, and to a certain extent Riley, can use to metaphorically fight the system.  For a body of skills that for Huey represents agency and mastery is made evil by Stinkmeaner and then associated with being Chinese is problematic and does have racial consequences.  After all, it’s not made clear what cultural influences Huey’s martial arts draws from, whereas Stinkmeaner’s martial arts is directly tied to both Satan and China in a visual move where Hell and Chinese culture are bizarrely conflated.

Anyways, more disturbing is the Season 3 episode, “The Red Ball.” The premise is that Ed Wuncler, the corporate magnate who has the town under his thumb, is getting ready for an annual kickball tournament with the team sponsored by his rival, the Chinese businessman Mr. Long Do (the “Wushung /Woodcrest Junior/Senior Harmonious Kickball Tournament), and to win, he forces Huey to join as the star player, despite Huey’s reservations. Like the move in The Big Bang Theory, where it is North Koreans represented in the show instead of Korean Americans,  “The Red Ball” features people who are nationally and ethnically Chinese while we don’t see any Chinese Americans in the show at all. So, first of all, Asians are again rendered as perpetual foreigners.

Arguably, this show targets Ed Wuncler and his exploitative capitalism. His betting all his banks and everyone’s accounts and the Freemans’ house on the tournament is a critique of his shady business practices, but right after he admits this, he says “You think I’m bad, just wait till the Chinese take away all the freedoms you enjoy –  freedom to complain, freedom to have as many offspring and assault rifles as you like, the freedom to surf the Internet for pornography of your choice.” Okay, the pornography thing is a critique of “freedom” conceived in the West as being really not as big of a deal as we’d like to think, but what this statement boils down to is that no matter how crappy the American system is, it’s a lot better than the Chinese one, so be grateful. Despite the premise being the 12-year old Huey militating against both members of his own community and the White majority for structural changes, the message this episode is totally antithetical to the spirit of the show.

Boondocks 3.03.14

This episode also precludes any sympathy for Chinese people. Huey, after seeing the Chinese team play, agrees to play, even if he’s not playing to defeat them for Wuncler. Mr. Long Do’s granddaughter Ming, who is the team’s captain, then feeds Huey a sob story about how she was plucked from a young age to train in kickball for the Chinese state, and that if she lost she would be sent to a prison camp for athletes who have failed their country. At this point the episode goes into a series of montages: a woman forced to perform on the balance beam while rabid wolves circle beneath her if she falls off, a man doing a foul shot with prison guards pointing guns at his head, and a man jumping hurdles where the hurdles are replaced by rows of spikes. Ming tells Huey that she also longs to walk away from the game, however she is not so lucky to have that choice, because she doesn’t live in America. Another shot for how we should be grateful for America. And later we learn that this story is entirely untrue, that she made it up purposefully to make Huey underperform. Despite Ming’s story of the prison camp being a lie, the visuals of this sequence still reinforces the idea that China has cruel and unusual forms of punishment , especially since China’s issues with human rights is circulating in the popular sentiment. Also, while reinforcing this, the episode also suggests that even if the average Chinese person suffers from the Chinese system, they are not to be given any sympathy, because their complaints are a part of a duplicitous strategy to undermine American ascendency.

Boondocks 3.03.18

Jazmine (left) and Sarah (right). Sorry captions are mutated by a language setting on my computer.

Most disturbing of all is the finale of the game, where the two teams are tied, and the Woodcrest side of the crowd is rooting for their team. This would just be a “rooting for our team” spirit with no nationalist or racial undertones, except the song that everyone is singing is “America the Beautiful.” We see Tom Dubois’s family singing in the foreground, and more spectators in the background, including ostensibly an African American, and of course the kickball team consists of African Americans like Tom himself and Grandad. Later there is also a scene of American flags waving among the spectators. Never mind that Tom’s wife Sarah is an advocate on behalf of civil rights; never mind that his mixed race daughter Jazmine often feels that he doesn’t fit in; never mind that Huey has spent his life trying to change racial inequalities in American society; when it’s up against the Chinese, Americans of all other ethnicities and backgrounds are a part of America the beautiful. Right after the song ends, Huey pitches Ming in a Dragonball-esque confrontation, suggesting that Huey is the embodiment of all the patriotic American sentiments displayed earlier by the audience.  I’m frankly disappointed in Huey for tagging Ming with the ball even after her ankle and his arm are broken, or disappointed with the episode’s writers for shoehorning Huey into this role. It would be more in Huey’s character, and the spirit of the show, for him to at least realise in the last moment that he’s playing into Wuncler’s schemes. This episode had potential for examining how two children of colour, Ming and Huey, become tools in petty games of transnational capital, but instead it boils down to a message of forgetting American racial inequalties to defeat a common Chinese enemy. I’m not even going to count all the times variants of the phrase “yellow motherfuckers” popped up.

The theoretical underpinnings of this post largely came from a book we read as a part of an Asian American Studies directed reading course last term, which is Jasbir Puar’s Terrorist Assemblages: Homonationalism in Queer Times. In this book, her argument is that the increasing liberal attitude in America towards queerness and homosexuality is due to a need to bring together American citizens after 9/11 to face the new villain, which is the terrorist. The argument tuned me to the fact that just because one group who has been discriminated against is now accepted, it doesn’t necessarily mean that all the problems with discrimination are fixed, because frequently it just means they’re not as much of a threat relative to some new group. Of course, this dynamics doesn’t apply only to different sets of groups, like queer Americans and Middle Eastern terrorists, but also work within one large set. Even as Asian Americans are ostensibly the model minority and bringing capital to America, I think The Big Bang Theory and The Boondocks show a latent distrust and fear towards Asians.

Sorry if the second half of this post made no sense. I wrote it right after I drank a concoction of gin and chocolate milk, which for some reason seemed like a good idea at the time. Anyways, as Riley would say, haters gonna hate, and I realize that I might be sounding like a hysterical academic in this post, so I want to end on a positive note. The Big Bang Theory and The Boondocks are really quite good shows otherwise. Especially The Boondocks – the episode on Obama’s election was a lot more nuanced than I thought it would be, as I was expecting a cartoon about African Americans to be unreservedly jubilant about Obama. And also well done is the “The Booty Warrior” episode where Tom finally gets some character development, and where Huey gives a graduate-level definition of the prison-industrial complex (I cheered out loud when I was watching that part). I’m really looking forward to the next season. As for The Big Bang Theory, the best moments that ameliorate some of racism that Raj faces is when he does an American accent. It’s hard to say why those moments are funny, but they’re absolutely hilarious. I think at a basic level, it’s suggesting that Raj’s Indian accent isn’t a shortcoming that he wants to overcome, like a stereotypical English learner would, but rather, his Indian accent is something he consciously chooses against sounding like an American. I’m looking forward to the book by Shilpa Davé, Indian Accents: Brown Voice and Racial Performance in American TV and Film, and I’m hoping Raj is in there somewhere. Also, I noticed on Wikipedia that originally the role was supposed to be Indian American until Kunal Nayyar was cast, and because he was  “so Indian” the character also became as is. Not sure how we can say how much of Raj is the writers and now much is Nayyar’s being “so Indian,” but  that’s something to look into. Here’s to hoping that Raj’s relationship with Lucy works out.


Also, when I taught comparative film as an English course in China, I was really annoyed that in The Departed, which is a remake of the Hong Kong film Infernal Affairs, Chinese terrorists replaced Thai drug dealers as villains. Not that I wanted Thais to remain drug dealers –  that’s a stereotype Cantonese media needs to deal with. But in a remake of a Chinese film, it seems making Chinese people villains is a poor move.

Fanpower, Nationalism, and the Success and Controversy of Hetalia: Axis Powers;

Or, alternatively titled, “Unbearable Cuteness in Front of the Swastika”

(read right to left. from the wonderful people at http://aph.starry-sky.com/_credits.html)

About a month ago, I started watching Hetalia: Axis Powers on Funimation’s Youtube channel. I heard about this a couple of years ago, but the idea of a story featuring the personifications of different countries in WWII was so bizarre that I didn’t pick it up. I did this time because I feel like I finally have the conceptual tools to deal with something like this, and also because I wanted to procrastinate on writing my thesis. If you visit my entry on my rant blog, 27, 000, 000, you can see a long conversation I’ve had with various persons regarding how I have struggled with this series.


The series was initially a webcomic by Hidekazu Himaruya, a Japanese student studying design in New York. The only other webcomic series that has become as popular that I can think of is Megatokyo, and even so I don’t think they are on the same scale. Most cultural productions have an intended audience; this audience is limited by language if not geography, and culture, gender, age, sexuality, ethnicity. Note that this does not mean that a story must include main characters with specific gender and age to appeal to that gender and age, as many adults enjoy Harry Potter and so forth. However, this often helps (though regarding gender, I once read a writer saying that while girls would read novels with male main characters, most boys don’t want to read novels with girl main characters). If we analyze Hetalia with the audience categories above, what would we get? (if you want to skip this seemingly inane list, go

Language: Originally for Japanese-literate audiences, because I assume that as a student in NY, if Himaruya wanted to create a comic in English, he should have had the English skills to make one. Also, the focus of the main storyline is on the Axis powers, which included Japan, and most people in the West would probably think twice about creating a story from the perspective of the Axis. But now English-speaking fans have translated almost everything. Even his blog is translated. There are Spanish Livejournal communities, so language is not necessarily a barrier in this as long as fans and companies are willing to translate it.

Geography: As it’s a webcomic, technically it has no geographical intentions other than those limited by language and culture.

Age: Likely late teen to young adult, 15-30 years old. The author himself is in this age bracket, and the format of his initial publication suggests that aside from creating a personal passtime, he had been creating this series for people who access webcomics. Who are in general not, say, 70 years old.

Gender: This is harder. On the wonderful website TVtropes, which accepts contributions from fans regarding the themes of any/all narrative production, the page on Hetalia notes that many people are surprised that the author is male, because of “all the Ho Yay.” As yaoi and shounen-ai manga and anime are generally produced by straight females for other straight females, Hetalia, which exhibits a lot of homoeroticism, seems to enjoy a largely female audience. I would think that males who are interested in WWII would go watch BBC documentaries and Band of Brothers instead. However, I cannot conclude that this is what Himaruya intended.

Sexuality: Again, since most yaoi and shounen-ai manga and anime are generally produced by straight females for other straight females, I would think that despite the homoeroticism, many of the fans are straight. Or, to put it in more academic terms, although the series features homoeroticism, it doesn’t try to offer any theory or criticism regarding homosexuals in real life; homosexuality isn’t its main topic. Most yaoi and yuri and so forth are along the same lines in that they don’t make sexuality their objective, and do not represent the LGBTQ community. This is not to say that homosexuals don’t enjoy yaoi and yuri and so forth. I remember my gay 40 year old highschool counsellor quite enjoying the series Fake.

Ethnicity/Culture: Putting these into the same category because even now I don’t quite know how to demarcate race/ethnicity/culture. Leaving aside language, I mean “culture” as whether the society accepts this kind of thing as a legitimate passtime. For example, 40 years ago North American culture would not have received this well at all, given the focus in Axis powers and the homoeroticism. The intended audience for Hetalia are probably those living in a liberal humanist culture, ie a culture that seeks to advance human interests (whether personal or those of human communities), not overly devoted to religion, believes in human individuality and freedom and artistic freedom. This is a very broad definition of “culture,” and maybe it’s better to use the word “zeitgeist.” I mean that most people in industrialized societies think this way.

So far, Hetalia doesn’t sound so special: there are many other titles which are targeted at young Japanese-speaking, straight, and liberal humanist females.

When culture overlaps with nation, what is outside the intended audience is the number of national cultures which are represented in Hetalia. This seems obvious, but this also means that it increases the number of national cultures which have a stake in what the series is saying. The popularity of Hetalia rests on the number of nations it represents (someone at the Hetalia LJ writes there are around 50 so far) but also what nation means. Recently, a lot of academic talk has been on things like the “death of nation,” as people increasingly move around more, things like the European Union are appearing, and the corporations become multinational to the point where it’s hard to locate anything particularly “American” about Coca-Cola. However, there are also academics that point that that this perspective is a very Western-centric one, as many nations have only recently won status as a nation through very hard work and a lot of bloodshed, and probably don’t like to see the whole idea of a nation dismissed.

It’s very convenient that I am writing this at the end of the Fifa World Cup (the result of which I am sure many Hetalia fans are happy about). Even if the Western world is feeling the benefits of globalization (being able to read Hetalia even though I don’t understand Japanese, for example), when it comes down to it people are still very nationalistic. Nation is still bound up with culture, and hence defines human beings even if they are able to move to other places in the world and access the culture of other places. Globalization hasn’t gone on long enough for nation not to matter.

What makes Hetalia popular is that as long as you are within one of the 50 personified countries and even marginally engaged in its culture, there is a feeling that somehow the series has you in mind. With this vast representation, the other parameters of age and gender and language do not decide the number of fans as much. Added to the lightness of the series (which I will return to in the “Controversy” section), the series offers engagement with an aspect of what defines you, and makes you laugh. Even if some of the audience isn’t there for the nations, the nations are good-looking young people.

The fact that these nations are human characters also makes this different from engagement with BBC documentaries. There are lies, damned lies, and statistics, because statistics can’t deliver the emotional impact of what things mean, and ideas like “nationhood” are often too abstract. A writer once said that in war, the average soldiers almost never fights for their “nation,” but for people they know in that nation. Hetalia compounds national and human feeling together. Knowing that 27, 000, 000 Russians died in WWII doesn’t quite give the impact as seeing the personification of Russia lament over this (this bit about Russia isn’t in the series but a fanwork).

More importantly, it is the premise of Hetalia that makes it possible for infinite fan participation. I believe that what makes a work open to participation is its lack of closure. Most novels, for instance, try to tell a story like the story is the most important thing that happens to its characters, and the story has a clear conclusion where the characters emerge from still alive (or not), but will never face anything like this again. The story is emphatically “over.” However, with Hetalia, the story focuses on WWII with many many side stories exploring history before that and since then, even current events as they occur. The short comic strip form does not give the same message as a novel or graphic novel; there is no sense that each comic strip tells the most important story its characters will face. This encourages the audience to think up other scenarios than to think that the story is “over.” Even if your nation isn’t one of the 50 in the series, you could imagine what your country would be like, and produce fanwork based on this. It is also impossible for Himaruya himself to exhaust all of the history regarding the 50 nation-characters he has created. Recently, someone on the Hetalia LJ posted a video with some viewers found “confusing,” because he/she used many dates, juxtaposed with fanart, that the official series has not addressed. But that is creative fanwork. And events are ongoing, eg the World Cup, which has generated thousands of fanfictions and fanarts in English audiences alone, and the recent bizarre case in which Russian spies in America used Canadian identities.


This series is light. It’s moe, according to Anime News Network, which means the audience response is likely one of feeling some kind of love for most of the characters. Most of the countries’ leaders do not get too much spotlight, and the series does not equate the country with the dominant political party/person. For example, Funimation introduces Germany’s leader as “hard to manage.” This is obviously a reference to Hitler, who hasn’t made an appearance in the webcomic or manga, that I know of (correct me if I’m wrong). In other words, the character of Germany doesn’t espouse Nazi values, rather more stereotypical “German values” like productivity.

In addition, the series sometimes privileges likable characters over historical accuracy. The character of Poland talks in something like a valleygirl accent and repeatedly ignores Lithuania’s attempts to warn him of Russia’s intention to invade with Germany, rather concentrating on buying ponies and painting his house pink, which really has no historical equivalent. As with Poland’s accent, sometimes the characters’ characters don’t correspond to their reference countries. There are also many light-hearted stereotypes, such as China ending all of his sentences in “-aru,” which is apparently the stereotype Japan holds of how Chinese people talk in general. And of course, Italy, who is totally useless in a cute way, with no tendencies towards Mussolini’s brand of fascism or anything.

If nationalism can make people embrace the series for its positive portrayals of audience home countries, then nationalism added to the light-hearted stereotypes also makes people reject it. South Korea censored the anime completely due to what it considers an offensive portrayal of Korea in the webcomic and manga. For those who haven’t read these, Korea is a somewhat strident, though cheerful young man who seems a bit self-centred, and who likes to claim that he’s the eldest of the Asian nations and that he invented everything. Fans in the West have generally been thinking that Korea couldn’t take a joke, and that the series pokes fun at every country anyway. Personally, I had the thought that we haven’t heard of Poland denouncing the series yet, and the character of Poland could be seen as just as offensive.

But Japan didn’t try to invade Poland. Going back to the intended audience – Hetalia is a Japanese production, even if many fans all around the world have created fanworks accompanying it. In WWII, Japan (the real life country) went on its quest to unify Asia, or rather, its invasion and brutality towards the rest of Asia, and from what I know, a lot of citizens supported this effort (at least in the early stages). Say that Korea has a chip on its shoulder, but it wasn’t so long ago that its status as a nation was almost revoked. I also read on the excellent webcomic Secret Asian Man that Korea was spelled “Corea” until Japan changed it in WWII because they did not want Korea speaking before them at international assemblies, then rostered alphabetically, and this spelling stays. And with Japan’s refusal to apologize for war crimes and even censoring its role in WWII from textbooks, it’s easy to think that Hetalia comes out of the same destructive machine. So the censorship of Hetalia in Korea is understandable, even if it is unfortunate. Along the same lines, the character of China has a Hello Kitty knockoff doll called Shinatty-chan, though in Chinese fandom “Shinatty-chan” is called “Gitty,” as “Shina” is a really offensive term the Japanese called the Chinese in WWII. The equivalent in the US would be personifications of different races in America, with the African American character carrying around a toy called Nigger. Although Taiwan has licenced the anime, I’m just waiting for the Chinese government to pounce on Hetalia, though I hope it won’t come to that.


Accept for the moment that nations (both people and governments) are justified in feeling unhappy with stereotypes in Hetalia. What can they do about it? One solution is censorship, which South Korea is trying (and I’m very very glad that Himaruya didn’t take the series on a suicide run by creating a North Korea). However, there are different types of censorship. There is censorship of sexuality and violence, which most people feel somewhat justified about, and censorship ofconcepts, which people don’t feel justified about. The former kind of censorship judges that people will one day be able to access concepts behind sex and violence once their cognitive skills can handle it, whereas the second kind judges people as never being able to handle it.

Although I feel that Korea is justified in wanting to censor Hetalia, I believe that actually censoring it shows its lack of confidence in its national citizens. First, it is assuming that people will draw a strong link between Korea the character and Korea the real life nation – after all, if people don’t, then it is no danger. While this seems like an obvious intention of the work itself, it is not true. Most audience members would be trained in the difference between fiction and nonfiction, even if it is historical fiction. Fan works with mature content sometimes urge its audience to try and see the characters as people rather than as countries. Canadians may find the doujinshi about Canada being lovesick towards America entertaining without wishing Canada to cozy up to the US politically.

Second, censorship assumes that the audience receives the work and it ends there, that there is no way to voice contradictions without editing the original. As I mentioned in the “Success” portion, the fanworks now outnumber the official work by the thousandfold, filling in gaps that Himaruya would not approach due to the sheer size of his topic. Because the audience in different nations see themselves represented, often they take it as a welcome challenge to create their own stories about their country. South Korea censoring the series means that while the rest of the world sees the annoying Korea character, less Koreans would be able to do something about it. A better solution would probably be to let the series run and sponsor fans who want to create and publish their own Korean Hetalia doujinshi.

** August 2010 edit **
Having read more about the controversy the series created in South Korea, there is a bit more to add. Apparently the national assembly met together and rejected Hetalia based on, among other things, a piece of fanart showing Korea grope Japan (This is probably a worse provocation than featuring an annoying Korea character by himself. I guess the people in the national assembly thought that this piece of fanart originated in Japan, or if they didn’t know it was fanart, thought it was a part of the Japanese official work. Since there are still gloomy sentiments towards Japan, this fanart at once implies what Japan thinks about Korea AND refuses to acknowledge Korea’s anger towards Japan by making him GROPE Japan). In some ways this buttresses what I have been saying so far about the power of fanworks, especially with regards to Hetalia.

The community members who think that South Korea is misjudging the situation argue that their rejection of the official series was based on fanart, which are not the same thing. This is true, but increasingly it is difficult to say what is authoritative and bounded piece of work. This what happens in postmodernity – information flows are so convenient compared to past centuries that a lot of popular culture is people reworking what other people have created; think of all the celebrities and fictional characters satirized on The Simpsons, and The Office featuring a wedding based on a Youtube video of a wedding. I am not disagreeing with the community, but the controversy over Hetalia proves that the line between the official and the fanwork is increasingly blurred. Apparently CCTV (main new network in China) broadcast a piece of Hetalia fanart about China and Russia when talking about about citizen responses to the joint Russia-China space program, without knowing the context of the fanart at all. This really amused fans, but on the other hand, the person who drew the picture of Korea groping Japan probably regrets it now.
** end edit**

Last Caveat(s)

Also, there is something in the fan communities called a “kink meme.” Someone submits a request for a character pairing with some sort of condition, often sexual, and someone else fulfills this request with fanart or fanfiction. While most of this is light-hearted enjoyment, some of the requests can get pretty disturbing. I have extolled fanpower as a positive force, but here may be evidence against fans taking up a series too much. Some posters’ arguments in favour of kink memes are that it’s not real life; enjoying a story about rape does not mean that someone condones rape. Having said that people can tell the difference between the nation-characters and the nations themselves, I cannot be a hypocrite now and say that when it comes to kink memes, people cannot tell the difference, however uncomfortable those requests make me.

People who objected to this sort of kink meme seem to be worried about spreading “Racism, sexism, ableism, homophobia, transphobia” in general. At its foundations, this problem relates to the nature of enjoyment, and the fear that enjoying a story about rape will make that enjoyment bleed to cover everything in the story, going so far as to make rape itself enjoyable. Psychological studies have shown emotional carryover to be true, such as this article here. But I’m not sure emotions and preferences are the same thing, just like love and hatred are not really emotions. Finally coming to the picture at the start of this entry, I believe the majority of readers would appreciate Italy being cute without also thinking that the swastika is cute. In fact, what I love about this page in the comic is the utter disjunction between Italy being cute and the swastika. I get to write 3000+ words on it, after all.

Alternatively, the argument could be that preferences are built upon exposure if not on carryover, and this is the argument used by anti-videogame censors who believe that excessive exposure to acting violent will create massacres like the Columbine shooting. But this sort of worry leads to things like the No Fly List, which hits its targets but also a lot of false positives.

Speaking of liberal humanism, many fans espouse the philosophy of “if you don’t like it, don’t read it, but don’t try to stop someone from writing it.” This position has faith in individual discretion, which is valid. However, going away from Hetalia for a moment, this philosophy sounds too much like it’s condoning shutting one’s eyes to things one doesn’t like instead of doing something about it. Going back to the series, I believe that if people find something objectionable, they SHOULD say something about it. But also keep in mind that the result might not go your way.

Another thing that some fans have argued is that filling a rape kink meme does not necessarily mean the fill is automatically pornography; it depends on how it is written. This is true, but then again, a kink meme has its purposes in being pornographical, and most people do not want to to read fills for lofty reflections. Rationally, I understand that I should have more faith in the fan community, and I have mostly argued in the fans’ favour. I am confident that people who read a rape scene between Germany and Poland and enjoy it as characters do not want a repeat of it as a historical incident. As a poster said on the fandomsecrets blog on June 4, 2009 at 10:08pm, “I don’t mean to sound nosy but I always find Hetalia fans incredibly sensitive towards other people and their country’s histories.” For very disturbing kink meme, there is probably also a fanfiction that handles the same nation-characters and historical incidents in a very sympathetic manner.

However, if someone has not met any Koreans and reads Hetalia and none of the fanworks, and takes it literally, it is possible that the person will form a stereotype of Koreans as being sort of annoying and self-centred. Taking Hetalia literally probably won’t happen very often, but it is possible. I believe in artistic responsibility; there should be some sort of reference to or documentation of non-fiction resources in both official works and fanwork. Translators of the webcomic and manga have very nicely provided links to articles that Himaruya have used and even say they have no idea what he meant because they couldn’t find any sources on what he was saying, but I wish fanworks would also give footnotes to the effect of “real life was actually something like this, and I changed it because….” As I said in the edit, fanworks can now have as much impact as official works. While no fan should condone self-censorship, this means that potentially nothing you do is only for yourself, and fans should take up equal responsibility to actual authors and artists.


Regarding the last caveats, I am still not certain that the position I am taking is the “right” one, or even if there is a right one. I dread the day in the far future, when countries closer to the equator are fighting countries north of them due to global warming, where a terrorist quotes Hetalia during his or her trial. Hetalia touches many people and elicits very strong reactions – this makes it a powerful work if nothing else and worth participating in on all levels, whether you watch the anime casually or suddenly get the urge to submit a paper on it to an academic conference.

I think I’m going to make myself some pasta now.

Is Battlestar Galactica Post-Racial (or is that not even the problem)?

“[JOSEPH ADAMS] In his 40s, he is a Tauron, an off-worlder who has emigrated to Caprica; his hair is already starting to go iron-gray […] Left with a 9 year old son to care for, Joseph reaches out to young William, revealing to him that his last name is really Adama…SERIES REGULAR – SUBMIT ALL ETHNICITIES. HOWEVER, PREFER LATINO.”

While there are some extremely articulate discussions out there regarding Battlestar Galactica and gender (io9 has a good piece on it), there seems to be less focus on how BSG deals with race and ethnicity. Those interested in the issue would be happy to know that the UN actually held a BSG retrospective earlier this year, where the delegates were divided according to the Quorum of Twelve rather than earthly nations. A good account can be found on the website of Discover Magazine.

Those who have watched Battlestar Galactica will know that the cast comes from many diverse racial and ethnic backgrounds, such as Edward James Olmos as Admiral Adama, Grace Park as Boomer/Athena, and Kandyse McClure as Anastasia Dualla (“Dee”). The opening quotation is taken from TV Squad’s 2008 posting, “Exclusive: Caprica casting info revealed,” which shows that the casting presents a level playing field for actors of all ethnicities. Perhaps more importantly, the series takes these actors and largely ignores their ethnicity. Granted, the universe of BSG isn’t the world of Earth (though that may be contested), but for some time I still puzzled over why Sharon Valerii was Asian. Is BSG post-racial and I am a dinosaur still hung up on this question?

What is “race” anyway? From my short coursework on this topic, it is a term to denote categorical differences in humankind, first used exclusively for biological differences and then shifting to recognize social differences, sometimes overlapping with the word “ethnicity.” There seems to be hope today that “race” can be a neutral term, but as Olmos stated during the UN BSG retrospective, it hasn’t been historically. While some people may not agree that Caucasians invented the term (eg this post by “keeptonyblairforpm”), it’s hard to disagree that the term has been used to persecute disparate groups in uneven power relations. It seems that recently there have been debate over popular culture inclusion of ethnic minorities, and whether it is a good thing. Of course, representation in all areas of culture production is necessary, but the criticism seems to be that representation has become the goal of addressing racial inequality instead of a symptom of an equal society, like saying “We have an African American in the cast, race problems solved.” The continuing impact of historical discrimination still go unaddressed, because everyone takes the successful African American actor as representative of all African Americans, whereas he/she is likely to be in the top 0.1% in terms of socioeconomic status, or some statistic like that. I’m definitely not faulting casting directors and actors for this – kudos for them for not aspiring only to be accountants or lab technicians out of a sense of personal security. But there does need to be more stories that address these unaddressed imbalances.

I, too, disagree slightly with Olmos that Caucasians invented the word “race” to persecute other “races,” though it is understandable that he and the other cast members of BSG don’t have a long historical view of racial construction. “Caucasian” is only a category that arose less than a century ago. Before the recent bout of globalization, people didn’t categorize themselves as “Caucasian,” simply because they weren’t in contact with that many Caucasian people to form any concept of a large umbrella category (same goes for “Asian” and other like terms). People thought of themselves as from an area within a country (eg, the “Cockney accent”), or at most a national conception (“English”). In fact, European countries were (and still are) very stratified. Irish immigrants to the US were seen as poor and uneducated, weren’t categorized as “White,” and faced almost as much discrimination as Asians. To think that Irish people aren’t “White” now seems laughable, because racial/ethnic categories, and those they exclude and include, change.

As Olmos stated in the UN, there is only one human race. All right, BSG seems to have accomplished that in BSG. But correct me if I am wrong; it seems that certain colonies of the Twelve (Gemenon, Sagittaron, Tauron, and Aerilon, according to Wiki) are seen as inferior, and Baltar changes his accent to seem more educated. Though displaced from earthly nations, the world of BSG isn’t even post-national. But even if we accept that the BSG universe is post-racial, what its post-raciality really points towards is just another shift in category concepts and not really any eradication of discrimination. There is a graduate course next semester at the Department of English and Cultural Studies, McMaster, that will examine the weird era we live in, where communities seem to have moved past the problem of racial inequality, and yet we are bombarded with the image of the Middle Eastern terrorist. (Sadly, I couldn’t get into this course, but now I’d like to take a commercial break to promote Cultural Studies and McMaster University.) BSG has been lauded to reflect the times, with post-9/11 uncertainty over the lack of security, but I believe that it best reflect this racial paradox, at once post-racial and not. To postulate that Dee and Boomer are not highly ranked in the military because of their race in the BSG universe seems absurd, and there are interracial romances aplenty. However, discrimination is largely displaced onto the cylons, who are not seen as human. Or, if we spiral the race timeline, as Irish people were gradually subsumed into a “White”ness that still excludes yellow, black, and brown (and red?), in BSG other human races are subsumed into “Human”ness, which still excludes humanoid cylons and centurions.

Personally, as someone of a visible ethnic minority, I’m extremely fascinated by the idea that cylons can look so much like humans to be indistinguishable (…except for glowing red spines). While most people have taken cylons passing for humans as terrorists passing for non-terrorists, we can also interrogate the question of race with this cylon phenomenon: Another idea in theories of race is that while groups such as the Irish can achieve equal status with other whites in popular conception, people who look different can’t fully do so, simply because they look different. BSG seems to suggest that this is true – humanoid cylons really do go undetected for long periods of time, unless you have Baltar’s nifty cylon detector. But then, if cylon/human discrepancies is biologically distinguishable, does that reinforce the idea that race is biological and not a social construct? It may seem far-fetched to parallel cylons and races, since cylons seem to be so clearly different. But two centuries ago, Irish and Germans seemed obviously different, and now we don’t bat an eye. Another thing that intrigues me is the sleeper agent cyclons who think they’re humans. This doesn’t seem to have any parallel in terrorism (which would be a terrorist who goes on a mission not knowing or forgetting what his/her mission is), but seems to better parallel the anxiety that younger generations are losing their cultural traditions and are becoming Westernized. Far from being a worry just on the part of older generations, I believe it is also a worry on the part of mainstream (Caucasian) society, who feel their White purity threatened. Hence the panic to sort cylons/racial minorities from humans/Whites.

*spoiler alert* Watching Boomer/Athena in particular addresses the label of the turbulence minorities face, and in particular situations inducing the “model minority.” When revealed to be a cylon, Boomer is incarcerated in isolation and then shot by Cally, a mechanic. Even though interracial romance occurs frequently in BSG, the first case of a possible cylon-human relationship is violently rejected by Chief Tyrol (I wrote about something related in “Racism and Culturism“). As Athena, she has to prove her loyalty beyond what is asked of other pilots. Even when (re-)accepted into the community of other officers, she is still distrusted. Roslin ordering that her pregnancy (father being Helo, who is human) terminated uncomfortably echoes the fears regarding miscegenation in North America and elsewhere. The difference between Boomer and Athena also reflects the two directions that minorities can take; either they can become the model minority and make peace with the majority, and prove themselves loyal (and risk complicity with the oppressors), or they can continue to resist and oppose the majority (and risk personal harm and furthering the conflict). That the model minority Athena seems more heroic and Boomer seems more villainous is slightly troubling, but BSG has already taken huge steps in not painting one “race” (human or cylon) as purely good or purely evil.

Within the BSG universe, the “Asian” appearance of Boomer/Athena has nothing to do with whether she is a cylon. Casting Grace Park in such a pair of characters is most likely a coincidence or a unconscious decision. However, even if the universe of BSG is post-racial, the audience watching it is far from. It’s a happy coincidence if that is what it is – Grace Park’s visible racial difference makes her character’s trials as a cylon that much more relevant. In the end, the lesson taken from BSG is not even a question of race, as in the different breeds of humans, but race as a broad denotation of any sort of delirious category used to justify ostracizing another. At the UN BSG retrospective, Olmos was apparently very vocal that BSG addresses race. But it seems to address pertinent issues indirectly, with a very very long view of history. And that’s what good speculative fiction does.

Racism and Culturism

What prompted this entry is that a Chinese friend of mine just started dating, and her new boyfriend is black. This might also be a good time to ponder critical race studies, seeing as Michael Jackson just passed away.

In response to this, my mother said that if I were to date someone who was black, then she would feel uncomfortable for the rest of her life. And my friend has decided that she will not let her family know of this. She comes from a very traditional Asian family, ie family unity and cultural values are very important. This friend herself is generally a shy and demure person, but since I know of some odd streaks, the fact that he is dating a black man isn’t very surprising. Although she did qualify in an email, “He’s not like those people you see in rap videos.”

I have experienced something similar. About a year ago, a fellow university club member seemed to have taken an interest in me, and I avoided his interest. He is not black but from the Middle East/India area. At the time, I wrestled with the reason that I did not take an interest in him; I was troubled by the thought that I might be racist despite living as if I am not. And I have taken enough Psychology courses to know that there is much about a person that is eclipsed even from oneself. I recall a study that staged a black person facing difficulties, and found that white participants would help this black person but only if they could not attribute their not helping to something else – eg, that someone else was helping, or that they were running late, etc.

I thought that perhaps I may also have been using reasons such as his age (he was younger than me by 3 years) as excuses for racism. One thing this led me to consider was the difference between racism and what I want to call “culturism.” This fellow club member did look like “a person in a rap video” (although I didn’t know him well enough to know whether he aligned himself with that subculture). I think it was this element, and not necessarily his race, which I was uncomfortable with. My friend had implied the same thing in her email, that if this man she is dating looked like someone in a rap video, maybe she would not have been interested. Also, I have observed cross-racial couples and found that, for example, if a Caucasian male was dating an Asian female, the Asian female is often not culturally Asian.

This is in line with something I have noticed in popular media. Unless the commercial or television series is directed at a specific subculture, media for mainstream audience show many races but do not show many cultures. Take the Bell Christmas 2008 commercial for an example: the African American female dancing is dressed in a way that reflects, I believe, mainstream “white” fashion; the same can be said of the Asian female taking the photo. This is on par with something I once read about black actresses in Hollywood being the least “black” on the appearance spectrum, and magazines making black actresses, such as Halle Berry, appear paler than they are.

Where I am going with this is that, for those of my generation who have grown up in North America, we are not very racist. However, culture and race do have significant overlaps, and whether we are now “culturist” is something else. I think most people who believe themselves to be racially unbiased and even some who acknowledge their racial bias would agree that racism is harmful, but what about cultural preferences? I think many would say that choosing someone from one’s own culture for friends or romantic partners is no different from choosing someone with similar interests, which the majority of people would see as acceptable if not a relationship requisite. However, I believe that discrimination (in the neutral sense of the word) based on appearances of a different culture or subculture may hinder individuals from finding that the Other may not be so different. Once, while I was waiting at a local train station, I was surprised to see that a young African American man, dressed in a fur-lined hoodie, wearing golden necklaces, rings, earrings, and baggy jeans, was hunched over and wholly engrossed in a volume of Inuyasha.

My mother dates Caucasian men because she claims that Chinese men are “too complicated.” To a certain degree she is operating on cultural incompatibility, because although she holds many Chinese values, she has been out of China for many years now and has always been engaged with Western media, literature, and culture. I myself can’t see myself dating someone who has just left China, because I have not engaged with and grown with Chinese culture. Sometimes, though, members of our Immigrant Generation 1.5 (or is it 0.5?) find ourselves in a cultural limbo. Our language and culture are a mix of both the nations and cultures that we have left and those that we live in now. I find this extremely useful for certain projects like my about-to-start graduate degree in English and Cultural Studies, but it also creates navigational complications that cannot be reduced to labels such as being a “banana.” For now, I say good for my friend for dating a black man, but we still need to consider whether we can just overcome the racism hurdle and say that our social responsibility has been fulfilled.